The Ornate Project
Arvin T, Mike Isai, Scrish
Love's Club106 Melrose Street, 11206, Brooklyn, NY · Map
This night happened — Sat 27 Dec 2025
Press play
Who was billed3 artists
In the order the promoter listed them.
Set times were not published.
Who they are
“Arvin T’s sound is a vast, rhythmic vocabulary that navigates the spectrum of emotions.”
their own biography
the whole biography
Arvin T’s sound is a vast, rhythmic vocabulary that navigates the spectrum of emotions. He is a resident at Brooklyn club Gabriela and a frequent collaborator with the renown dark dance label/party Synthicide. Arvin can also be found in rotation in New York City's vibrant club scene including regular appearances at Basement, Good Room, and Paragon; with a formidable international presence to match. His production navigates high-energy and bouncy progressive, while grounding those movements in the textures of wave, 90s house, and trance-oriented atmospheres. This versatile output has garnered support across the global circuit, anchored by releases on the Dutch imprint Return To Forever, alongside New York’s own E-Missions Recordings and Magic City.House on 1 and Techno on 1. styles on their catalogued releasesTheir RA profile lists E-Missions and Magic City.Recently at Gabriela, Bossa Nova Civic Club, 53 Scott Ave · often with Andi, Eli Escobar, Sharlese, none of them here that night
Recently at The Ornate Studio, SILO, Dead Letter No. 9 · often with Hernan Cattaneo, Mir Omar, Dysco-official, none of them here that night
often with Suasimodo, Debosh presents, Jonah Almost, none of them here that night
names these artists often play with — not that night
- Andi26 with Arvin T
- Eli Escobar6 with Arvin T
- G I N A4 with Arvin T
- Jordan Nocturne3 with Arvin T
- Sharlese3 with Arvin T
- Sissies of Mercy3 with Arvin T
- Veronica Vasicka3 with Arvin T
- WTCHCRFT3 with Arvin T
The room
Love's Club — 20 events and 60 distinct artists since May 2025.
Holds about 500.
Who put it on
The Ornate Project — 97 events and 236 artists since Aug 2023.
