Who was billed5 artists
In the order the promoter listed them.
Set times were not published.
Most of these pairings were meeting for the first time that night.
the pairs that have met
6 of the 10 pairings on this bill were first meetings.
- Kilopatrah Jones and Concrete Husband — 4 shared bills before that night, first on Fri 16 May 2025.
- Concrete Husband and KXAH — 5 shared bills before that night, first on Sat 21 Oct 2023.
- Kilopatrah Jones and KXAH — 1 shared bill before that night, first on Fri 9 Jan 2026.
- Kevin Saunderson and KXAH — 2 shared bills before that night, first on Sat 2 Mar 2024.
Who they are
“His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes.”
their own biography
the whole biography
His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed. Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. The Groove That Won’t Stop, indeed.Their RA profile lists TrustTheDJ, fabric Records, Planet E, KMS and 3 more.Recently at Paragon, Xanadu, Nowadays · often with Kweku Saunderson, Ne/Re/A, Auspex, none of them here that night
“Grammy Award nominated DJ/Producer Todd Terry has been engulfed in dance music since he first started listening to European dance music records while growing up in Brooklyn.”
their own biography
the whole biography
Grammy Award nominated DJ/Producer Todd Terry has been engulfed in dance music since he first started listening to European dance music records while growing up in Brooklyn. Already devoted to turntables, he heard something different in those tracks, and he “went for the difference. I never got a break in New York, but England happened right away, so I catered to them.” In any event, the Todd Terry sound was born. By 1988, Todd Terry hit big in England and Europe, and his notoriety was making its way back to the U.S. In addition to DJ appearances, Todd was cutting his classic underground tracks A Day In The Life, Weekend, and Can You Party, released under monikers such as the Todd Terry Project, House Of Gypsies, and Royal House, all considered essential and ground breaking. In the mid 90’s, the Ministry of Sound’s eponymous UK label released A Day In The Life, a collection of Todd Terry tracks that had been causing dance floor panic. That then led the way to a deal with Mercury Records allowing him to set up a context in which to work with his favourite singers and performers. The first release, Keep On Jumpin’ on featured a vocal workout from super-divas Martha Wash and Jocelyn Brown, together for the first time ever. The song became a top 10 UK crossover pop hit and worldwide smash. Todd followed with the anthem ‘Somethin Going On’, a top 5 UK crossover pop hit. All the while, Todd continued to break new ground as a Producer/Remixer. From SNAP to Annie Lennox to George Michael to Bjork, Todd’s mixes bridge the ground between club cool and commercial accessibility. In 1995, his remix for Everything But The Girl’s Missing became a worldwide smash, giving the British duo their first ever hit. He then rode the charts with mixes for Garbage (Stupid Girl), The Cardigans (Love Fool), Everything But The Girl (Wrong), 10,000 Maniacs (More Than This), Jamiroquai (Alright), The Cardigans (Been It), and The Lightning Seeds (You Showed Me),.among others. He also produced a Robin S track (Givin’ You All That I’ve Got) for the multi-platinum Space Jam soundtrack. INK/Distinctive Records 2005 release The Todd Terry Trilogy: Past, Present & Future on 3 x CD & 10 x 12” vinyl has inspired Todd fans both old and new with over 30 Todd classics and 10 new Todd songs. Todd is also releasing a barrage of new singles on Blanco y Negro, Elementary Group, and Manifesto/Mercury (who are also re-releasing the ‘Keep On Jumpin’ and ‘Somethin Going On’ in 2006). Ministry of Sound has licensed Philippe B Vs. Todd Terry ‘Can You Feel It (Can You Party)’ for a major 2006 release, a new version of the Todd classic Royal House ‘Can You Party’. Todd Terry All Stars feat. Kenny Dope, DJ Sneak, Terry Hunter, & Tara McDonald’s ‘Get Down’ will be released in 2007 on Strictly Rhythm. This red hot single is the first proper original release on the re-launched legendary label. ‘Strictly Todd Terry’ compilation mixed by Todd Terry will be released in 2007 on Strictly Rhythm. Todd’s mix follows installments by Masters at Work and Tiefschwarz in this newly launched series. Todd is one of the world’s most celebrated figures in dance music. With almost two decades of dance floor domination under Todd’s belt the quality of his productions goes from strength to strength. Welcome to the church of house music presided over by Todd the God. Are you a believer?Their RA profile lists Defected Records, Virgin Records, Stealth Records, Strictly Rhythm and 6 more.Recently at Superior Ingredients, H0L0, Rumi · often with Pure Immanence, DAIYAH, Madre Guía, none of them here that night
“Born and raised in Queens, a city dweller and a club kid, Kilopatrah has an innate and superlative gift for transferring energy from the booth to the dance floor—through exciting house, techno, and jungle, and moments that both harken to Sound Factory–era glory days and bring you to sweaty BPMs of the future.”
their own biography
the whole biography
Born and raised in Queens, a city dweller and a club kid, Kilopatrah has an innate and superlative gift for transferring energy from the booth to the dance floor—through exciting house, techno, and jungle, and moments that both harken to Sound Factory–era glory days and bring you to sweaty BPMs of the future. Their sets are palpably personal: The dance floor has always been a powerful platform for expression for Kilo, once as a freeing and connecting space for a quiet house dancer and now as one for moving others like them. When Kilo gets going, you’ll lose sense of the kick drum versus the beat of your own body against the floor. That’s a gift from them to you, and your percussion is a gift back to them. Kilo brings their energetic sass to a monthly Lot Radio residency and to parties with impressive lineups, playing alongside Todd Terry home in New York, at the legendary Movement weekend Club Toilet in Detroit, and for Boiler Room. Their mixes, for series such as Coloring Lessons, Honcho, and Juanita’s, and for spots on Rinse and Refuge, also capture the club at its most euphoric. You’ll step a little harder with Kilopatrah Jones. Words by Sacha MadadianRecently at Signal, public records, Nowadays · often with Mike Servito, Dee Diggs, Annie Lew, none of them here that night
“Concrete Husband is a NYC-based producer, DJ, composer, and flutist whose work bridges hypnotic techno, contemporary composition, and surrealist sound design.”
their own biography
the whole biography
Concrete Husband is a NYC-based producer, DJ, composer, and flutist whose work bridges hypnotic techno, contemporary composition, and surrealist sound design. His forward-thinking dance records Piel and Pelvic Resonance, released on White Owl Records, received critical acclaim, with Document Journal describing his music as “redefining avant-garde composition.” Educated at New England Conservatory, he draws on a deep knowledge of musical history to create emotionally charged sonic narratives that blur the line between the sensual and the uncanny. His DJ sets move through hypnotic grooves and psychological tension. A fixture of the Brooklyn techno scene, he has been seen countless times at BASEMENT, Paragon, and Knockdown Center, as well as at WIRE Festival and Merge. He is a resident of the Mexico City collective Pervert. As a composer and flutist, he merges virtuosic performance with experimental approaches to sound. Integrating live flute into his work, he has developed a singular performance language that led Eartheater to invite him to open her 2024 international tour, alongside a headline debut at Silent Green. His compositions have been presented at Amant, MoMA PS1, Museum of Modern Art, MUNCH, and Palazzo Reale. He has also scored Dion Lee’s Shanghai Fashion Week presentation and contributed flute compositions to the A24 film Beau Is Afraid. Most recently, he released the experimental project "Where The Ashes Glow" on NNA Tapes.Techno on 2, Afrobeat on 1, Art Rock on 1 and Ethereal on 1. styles on their catalogued releasesReleased on White Owl Records (3) (2) and Gonzo Circus (1); their RA profile also lists NNA Tapes and White Owl Records. labels on their catalogued releases and on their RA profileRecently at Rash, Paragon, 9 Bob Note · often with Juana, Ne/Re/A, VILE, none of them here that night
“Drawing from Detroit’s foundational influence and the darker edges of contemporary European club music, she crafts immersive, tension-driven sets built on heavy percussion, layered textures, and driving low-end energy.”
their own biography
the whole biography
Drawing from Detroit’s foundational influence and the darker edges of contemporary European club music, she crafts immersive, tension-driven sets built on heavy percussion, layered textures, and driving low-end energy. Her approach to DJing centers on narrative and atmosphere, creating long-form journeys where tracks dissolve into one another through mounting pressure and cathartic release. Originally developing her craft in Boston through close collaboration with the INFRA collective, KXAH became deeply involved in the underground DIY circuit before relocating to New York City. During that time, she co-founded the Aversion event platform and label, helping build collaborative events and releases alongside collectives and artists from across the US and Europe, including Detroit Techno Militia, BCCO, Maison Fauna, and Uncoiled. Though no longer involved with the platform, the experience helped shape her approach to underground culture, collaboration, and independent artist infrastructure. Beyond the club, KXAH’s work extends deeply into experimental listening culture and interdisciplinary curation. Previously curating for Silence Please, a high-fidelity speaker building company and immersive listening showroom in New York, where she programmed and hosted experimental ambient sessions centred around intentional listening and sound system culture. Working within the showroom’s acoustically focused environment, she curated performances and listening experiences featuring artists such as Neel, Function, Amelia Holt, Amma Atteria and other experimental live performers, vinyl selectors, and sound artists. The series explored the intersection of ambient music, spatial sound, psychoacoustics, and deep listening, reflecting KXAH’s ongoing interest in the emotional and physical impact of sound beyond the dancefloor. Her independently curated “Fight Club” events further expanded this community-driven approach. Hosted inside a fighting gym under the motto “Fighters Not Lovers,” the series created a platform highlighting female and multidisciplinary creatives, fostering collaboration between DJs, visual artists, designers, performers, and emerging talent within underground communities. As a performer, KXAH has appeared at influential venues and underground institutions across New York, Detroit, Minneapolis, and the East Coast, including Basement, Paragon, Marble Bar, Bossa Nova Civic Club, Good Room, Refuge, and Leland City Club. She has also performed at festivals including The Great Beyond and Techtoit. In March 2026, KXAH released “The State Of The Mind” through Amsterdam-based label and collective Donker as part of the compilation DNKRVA004, a release featuring female artists from across the international underground electronic scene, with proceeds supporting breast cancer awareness and research initiatives in the Netherlands. "Married to the Baseline"Recently at Rash, Good Room, Mansions · often with KYRUH, VILE, SSG_, none of them here that night
names these artists often play with — not that night
- Annie Lew7 with Kilopatrah Jones and 6 with Concrete Husband
- Ron Like Hell8 with Kilopatrah Jones and 5 with Concrete Husband
- KYRUH6 with Concrete Husband and 6 with KXAH
- Makadsi6 with Concrete Husband and 6 with Kilopatrah Jones
- VILE8 with Concrete Husband and 4 with KXAH
- Ne/Re/A8 with Concrete Husband and 1 with Kevin Saunderson
- Briela Veneno3 with Concrete Husband and 2 with KXAH
- Katie Rex4 with Concrete Husband and 1 with Todd Terry
955 said they were going — much busier than a usual Friday at Paragon.
how this compares
- Median final count, Fridays at Paragon464
- Middle half finished between381 and 585
- Past Fridays at this venue counted140
The room
Paragon — 356 events and 947 distinct artists since Aug 2023.
Most-tagged here: Techno (20), Club (18), House (12) and Ghetto Tech (4). genre tags on this room’s listings