Danny Daze b2b Ryan Elliott / Sister Zo + Mui Mui / Brother Dan

Who they are

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  Danny Daze

  Miami · 25 bookings since Sep 2023

  “Steeped in Miami’s B-boy culture, it was classic electro & Miami bass that conceived Danny Daze's love for the experimental Dutch electro & Detroit Techno scenes of the 90’s.”

  their own biography

  the whole biography

  Steeped in Miami’s B-boy culture, it was classic electro & Miami bass that conceived Danny Daze's love for the experimental Dutch electro & Detroit Techno scenes of the 90’s. Labels like Schematic in Miami, Interdimensional Transmissions from Detroit & Viewlexx out of The Hague set the foundation for Daze. Daniel Gomez adopted his Daze moniker early on at his mother’s suggestion. Practicing on a set-up she bought him, Daze was spinning at weddings by age 14, funneling his earnings into vinyl to play raves on the side. That eventually led to producing his first tracks in 2004 on a cracked version of Fruity Loops and later that year, he jumpstarted a electro / techno white label called Omniamm. Daze’s risk-taking & punk approach is at the core of everything he does and it’s a big part of the ethos of his current label, Omnidisc. "We're not searching for chart topping hits. We’re more interested in curating a catalog of music you’ll remember when you walk out the door. We seek out tracks that are as raw as possible & welcome imperfections. We love the charm of an unpolished record”, says Daze. It’s also this freeform & experimental approach together with an element of surprise that sets him apart from the pack as both a DJ & Producer. As a DJ, he prefers to express his versatility across long sets. He is known to cut & weave from Electro to Techno into Italo Disco, into a record by Yazoo deliberately intended to provoke a reaction. “I once played a Paula Abdul record at Berghain… basically, it’s like it or leave it,” says Daze. As a producer, his output ranges from releases on Kompakt’s Speicher series, to remixes on Phantasy, Comeme, Monkeytown & more… but he also reaches far beyond techno & has created original runway soundtracks for award winning American streetwear designer John Elliott & the Australian brand Song for the Mute. "I’m obsessed with the detailed manipulation of audio. It’s at the core of how I make music & I constantly feel the need to involve myself with projects that challenge & allow me to think out of the box... whether it’s creating a single recognizable noise for the new MacBook, or an advert for a fashion campaign blending original music with sound design,” says Daze. Danny Daze’s radical approach to preserving music’s integrity while breaking its boundaries may seem volatile, but it’s not random. “I’ve always gone against the grain & it’s important for everything I do to feel authentic. There isn't much difference between Daniel Gomez and Danny Daze.” BOOKINGS: For EU bookings please contact: ned@lb-agency.net & chris@lb-agency.net For US and SA bookings please contact: ryan@liasonartists.com For Australia bookings please contact: Wade@FinelyTuned.com.au For press and management enquiries please contact: mgmt@omnidisc.co
  SoundCloud ↗Discography ↗
  Their RA profile lists Kompakt, Cómeme, Phantasy Sound, Omnidisc and 1 more.

  Recently at Nowadays, Signal, H0L0 · often with David Berrie, Connor Wrong, Kurilo, none of them here that night

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  Ryan Elliott

  Detroit · 9 bookings since Oct 2023

  “Ryan Elliott has spent the past two decades of his esteemed career effortlessly bridging the gap between different artistic expectations.”

  their own biography

  the whole biography

  Ryan Elliott has spent the past two decades of his esteemed career effortlessly bridging the gap between different artistic expectations. Growing up as a DJ in Detroit, but coming into his own in Berlin, his sets expand on each city’s styles. A resident at Berghain and Panorama Bar, he refuses to be aligned with just techno or house, instead highlighting their optimal overlaps. And as a producer, remixer, and founder of his own label, Faith Beat, Elliott releases music that is playable but unpredictable, perfectly calibrated for dancefloor impact and enduring enjoyment. No matter what form his musical expression takes, with Elliott listeners always seem to get the best of both worlds. Launched in 2019, Faith Beat is an organic extension of Elliott’s passions as a DJ, producer and voracious record collector. A home for music that is thoughtful and loose, precise yet approachable, Faith Beat is not a one-way street, but an ongoing conversation between Elliott and the crowds he plays for, the producers he loves and the records he buys. As a DJ, Elliott delivers sets that slice energetically across the house and techno divide, a revelatory approach that's infused with a deep respect for his selections. This ethos also manifests in the monthly charts Elliott has published since 2003, insisting on giving a proper platform to whatever he plays. As with all of his efforts, Elliott doesn’t pit one place or style against each other, continuing to pursue a sleek and transportive fusion.
  SoundCloud ↗Discography ↗
  Their RA profile lists Ostgut Ton and Faith Beat.

  Recently at Green Room NYC, public records, Nowadays · often with Berghain, Ogazón, Rene Wise, none of them here that night

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  Sister Zo

  New York City · 59 bookings since Aug 2023

  “After getting her start performing at underground poetry events in her hometown, she eventually moved on to playing live beat sets during open mic nights at one of KC's most pivotal queer nightlife institutions of the 21st century, the Uptown Arts Bar.”

  their own biography

  the whole biography

  After getting her start performing at underground poetry events in her hometown, she eventually moved on to playing live beat sets during open mic nights at one of KC's most pivotal queer nightlife institutions of the 21st century, the Uptown Arts Bar. Occasionally she'd wander upstairs to Niche, a 100-cap club with a legendary sound system known as the Meta HiFi. There she got her first taste of the sounds of the UK bass continuum and the LA beat scene, with its prominent figureheads like Flying Lotus, Ras G and Shlohmo. Ever the nomad, she would spend her mid-twenties traveling, flitting between cities like New York and LA and the mountainous terrain of the Colorado Rockies. At 26 years old, she left behind a stable career in psychotherapy to pursue her creative dreams. This would lead her back to Niche where a ravenous desire to evolve as an artist connected her with Peter Anthony, aka Coughman, who ran the independent KC collective and label, Intelligent Sound. Soon Anthony encouraged Zo and her friends Mazzy Mann and Lorelei Kretsinger to build a platform of their own. In October 2017, the three of them founded the UN/TUCK queer/trans collective and record label. Over the next two years, they tirelessly built UN/TUCK into an internationally recognized platform, releasing their own music and organizing shows and parties curated specifically for trans and queer people in Kansas City. Under the name BTRFLY, Zo produced her own LA-inspired beats and rapped over them in her sets. As she delved further into the realms of Chicago house, early 2000s UK dubstep, and the hybrid sounds of Hessle Audio, Hyperdub and Idle Hands, she discovered a profound love for DJing and a different kind of production. Now based in Brooklyn, she has made definitive creative statements in 2022, releasing her debut EP, Screw Cheek, on acclaimed UK club label, Scuffed Recordings, and a follow-up EP, Freak Shift, on Martyn's hallowed 3024 imprint, as well as a slew of national bookings at Bunker NY, Texture Detroit, Sole Rehab, clubs like Nowadays, Good Room and Kremwerk, festivals like Slingshot and Honcho Campout and many more on the horizon. It's clear that Zo has solidified her place as an emerging artist firmly in her own lane, with tracks that span the continuum of UK bass and North American techno and house, and mixes that seamlessly capture and defy her genres of interest, blending deep dark percussive bass and broken beat with blistering techno, psychedelic house, east coast club and more.
  SoundCloud ↗
  Techno on 24, Bass Music on 22, Breaks on 17 and House on 17. styles on their catalogued releases

  Released on Clasico Records (2) (1), Delusional Records (2) (1) and Grid (6) (1); their RA profile also lists Pineapple Records, 3024, Fever AM, Scuffed Recordings and 1 more. labels on their catalogued releases and on their RA profile

  Recently at Bossa Nova Civic Club, Le Bain, BASEMENT · often with Sheepshead, Saia, S4M23, none of them here that night

• 

  Mui Mui

  New York City · 50 bookings since Aug 2023

  “Guided by her devotion to sound system culture and bass forward arrangements, Mui Mui weaves tracks across the dub continuum with dynamic selections that forefront percussion, groove, and bass.”

  their own biography

  the whole biography

  Guided by her devotion to sound system culture and bass forward arrangements, Mui Mui weaves tracks across the dub continuum with dynamic selections that forefront percussion, groove, and bass. Drawing from her extensive experience playing both pummeling late-night club sets and more cerebral radio hours, Mui Mui’s precise mixing and fearless approach to genre serves to make dance floors feel at once mischievous and cohesive, sacred and sultry. Her training as a classical ballet dancer fuels her love of full body sounds- embracing, welcoming, and guiding the body and mind through her inner narratives. A cornerstone of the NYC underground, she has also held residencies at Noods Radio and Hong Kong Community Radio, and has played to dance floors internationally, including in Tokyo, Montreal, Berlin, and in cities across the US and UK. Instagram: @mui____mui Soundcloud: @mui_muii
  SoundCloud ↗

  Recently at Mood Ring, Million Goods, public records · often with Eva Loveless, DJ DEADNAME, Don-Ri, none of them here that night

• Brother Dan

  3 bookings since Feb 2024

  Recently at public records, Baby's All Right · often with Lovie, Millie McKee, Bradley Zero, none of them here that night