Who was billed6 artists
In the order the promoter listed them.
- next: Tresor / Globus in Berlin, Mon 9 NovSchwefelgelb
- next: RSO.BERLIN in Berlin, Fri 20 NovRUIZ OSC1
- KXAH
- The Carry Nation
- Jorkes
- Sevyn
Set times were not published.
Most of these pairings were meeting for the first time that night.
the pairs that have met
14 of the 15 pairings on this bill were first meetings.
- The Carry Nation and Sevyn — 1 shared bill before that night, first on Sat 14 Mar 2026.
Who they are
“Schwefelgelb's live performances are nothing short of a spectacle.”
their own biography
the whole biography
Schwefelgelb's live performances are nothing short of a spectacle. Characterised by two members facing each other, surrounded by unique lighting and occasionally real-time visual processing, their shows offer an immersive and powerful experience. Distinctively, these performances often take place in the middle of the crowd, breaking down the conventional barrier of the DJ booth. This approach is also evident in their DJ sets, where they share their musical vision and embark on a journey with the audience.Their RA profile lists Cititrax, aufnahme + wiedergabe, Dalmata Daniel and n-PLEX.Recently at Paragon, BASEMENT · often with Juju Ji, FUNCTION Takeover, Makadsi, none of them here that night
“Erika Andrea Murcia Ruiz, known artistically as RUIZ OSC1, is a Colombian DJ and producer from Bogotá, celebrated for her refined vinyl technique and genre-defying sound.”
their own biography
the whole biography
Erika Andrea Murcia Ruiz, known artistically as RUIZ OSC1, is a Colombian DJ and producer from Bogotá, celebrated for her refined vinyl technique and genre-defying sound. Her performances have graced some of the world’s most respected venues, including Bassiani, VENT Tokyo, Basement New York, Tresor, FOLD, and RSO, alongside appearances at Intercell, Vault Sessions, and showcases for Mutual Rytm and Technics, where she currently serves as an ambassador. Rooted in a lifelong passion for music, RUIZ OSC1 draws inspiration from her mother — a singer and music reseller — who introduced her to salsa, merengue, and Colombian folklore during her upbringing in the late ’80s and early ’90s. After relocating to Europe in 2010, she began blending these rhythmic traditions with contemporary electronic elements, creating her distinctive sound, which she defines as “folkloric techno.” RUIZ OSC1 made her debut on KAOS with contributions to Ritualistic Discoteca and the release of her solo EP Grooveroots. She has since collaborated with acclaimed labels such as Emerald and Molekül, further expanding her sonic identity and global presence. A rapidly rising name in the international electronic scene, RUIZ OSC1 is recognized for crafting immersive, high-intensity performances that captivate audiences and highlight her deep connection between rhythm, culture, and emotion.Their RA profile lists Agora Records.Recently at 154 Scott Ave, BASEMENT · often with ROBUS, SUMME, TRESOR, none of them here that night
“Drawing from Detroit’s foundational influence and the darker edges of contemporary European club music, she crafts immersive, tension-driven sets built on heavy percussion, layered textures, and driving low-end energy.”
their own biography
the whole biography
Drawing from Detroit’s foundational influence and the darker edges of contemporary European club music, she crafts immersive, tension-driven sets built on heavy percussion, layered textures, and driving low-end energy. Her approach to DJing centers on narrative and atmosphere, creating long-form journeys where tracks dissolve into one another through mounting pressure and cathartic release. Originally developing her craft in Boston through close collaboration with the INFRA collective, KXAH became deeply involved in the underground DIY circuit before relocating to New York City. During that time, she co-founded the Aversion event platform and label, helping build collaborative events and releases alongside collectives and artists from across the US and Europe, including Detroit Techno Militia, BCCO, Maison Fauna, and Uncoiled. Though no longer involved with the platform, the experience helped shape her approach to underground culture, collaboration, and independent artist infrastructure. Beyond the club, KXAH’s work extends deeply into experimental listening culture and interdisciplinary curation. Previously curating for Silence Please, a high-fidelity speaker building company and immersive listening showroom in New York, where she programmed and hosted experimental ambient sessions centred around intentional listening and sound system culture. Working within the showroom’s acoustically focused environment, she curated performances and listening experiences featuring artists such as Neel, Function, Amelia Holt, Amma Atteria and other experimental live performers, vinyl selectors, and sound artists. The series explored the intersection of ambient music, spatial sound, psychoacoustics, and deep listening, reflecting KXAH’s ongoing interest in the emotional and physical impact of sound beyond the dancefloor. Her independently curated “Fight Club” events further expanded this community-driven approach. Hosted inside a fighting gym under the motto “Fighters Not Lovers,” the series created a platform highlighting female and multidisciplinary creatives, fostering collaboration between DJs, visual artists, designers, performers, and emerging talent within underground communities. As a performer, KXAH has appeared at influential venues and underground institutions across New York, Detroit, Minneapolis, and the East Coast, including Basement, Paragon, Marble Bar, Bossa Nova Civic Club, Good Room, Refuge, and Leland City Club. She has also performed at festivals including The Great Beyond and Techtoit. In March 2026, KXAH released “The State Of The Mind” through Amsterdam-based label and collective Donker as part of the compilation DNKRVA004, a release featuring female artists from across the international underground electronic scene, with proceeds supporting breast cancer awareness and research initiatives in the Netherlands. "Married to the Baseline"Recently at Refuge, Paragon, Domino Park · often with KYRUH, VILE, Concrete Husband, none of them here that night
“Nita is a noted member of the legendary House of Aviance.”
their own biography
the whole biography
Nita is a noted member of the legendary House of Aviance. She started DJing around the turn of the millennium and was a resident at the infamous Mr. Black and Westgay, both touchstones for queer artistry and culture in downtown nightlife of the early 2000's. Will has deep roots in NYC club culture, having worked at The Loft and collaborated closely with David Mancuso, holding residencies at many of the downtown New York clubs over the years including The Limelight, Life and Vandam. After dividing his time between NYC and Paris, working on music with fashion houses such as Issey Miyake, Vivienne Westwood and Yves Saint Laurent, Will returned to DJing dance floors when he co-created SPANK with partners Sean B & Jason Roe. What started as a basement dance party evolved into a roving art-based warehouse party along with a namesake zine. SPANK began to work closely with Horse Meat Disco and the close relationship with that crew has extended in various forms through the years into the present. Currently, Nita and Will perform globally as both individual DJs and, more often, as a duo --they are most recognized for epic extended B2B sets and their wildly successful monthly queer party (also known as The Carry Nation) at Brooklyn's Good Room. Their range is wide and exciting, and in the New York tradition they effortlessly flow through genres and time periods while keeping a modern edge. Since the inception of The Carry Nation, the duo has toured the world extensively including Glastonbury’s Block 9 and Berlin’s Berghain/Panorama Bar among many others. They also have a residency at Ladyfag's flagship monthly Battle Hymn. As producers, their credits include releases and remixes on Get Up Recordings, Classic Music Company, TRIBAL, Nervous, TRAX, Batty Bass, TWIRL, W&O Street Tracks and more. Their latest venture is Major Records, an imprint they co-founded with Justin Cudmore to showcase their Majorettes collaboration with releases that are setting dancefloors alight with a fresh but classic house vibe that stays rooted in the excitement of New York’s history and underground.House on 28, Tech House on 7, Techno on 4 and Deep House on 5. styles on their catalogued releasesReleased on Nervous Records (2) and Cómeme (1); their RA profile also lists Batty Bass Records, HNYTRX, Twirl, Good Company Records and 1 more. labels on their catalogued releases and on their RA profileRecently at Twilo, BASEMENT, Signal · often with Nita Aviance, Will Automagic, Kim Anh, none of them here that night
“Co-Running Freeride Millenium Residency Romantica, Stuttgart Radio show with Daniel Rajcsanyi at Radio80000 soundcloud.com/jorkes freeridemillenium.bandcamp.com for more music XoXo”
their own biography
Their RA profile lists Aus Music, Permanent Vacation, Live At Robert Johnson, Ombra International and 3 more.Last at BASEMENT in Oct 2025 · often with Berghain, nd_baumecker, Sara Miller, none of them here that night
“While Sevyn's calling for live instrumentation and musical arrangement has thrived, she has unanticipatedly embarked on her journey into the world of DJ'ing and established her name and footprint in musical spaces outside of her hometown, Washington DC.”
their own biography
the whole biography
While Sevyn's calling for live instrumentation and musical arrangement has thrived, she has unanticipatedly embarked on her journey into the world of DJ'ing and established her name and footprint in musical spaces outside of her hometown, Washington DC. Sevyn is a producer, DJ, curator and founder of music platform and curatorial studio "Beautiful Noise" based in Brooklyn, NY. She seeks connections through music and her deep appreciation for culture and history radiates through narrative-driven mixes and productions. She centralizes story and narrative; genres are just chapters which, when taken together, are greater than the sum of their parts. Her energy on the dancefloor pulsates the same rhythm while weaving in and out of records from House gems to Jazz, Techno and Soul. Her commitment to music and sound has led her to opportunities in spaces outside of the club. She composed a piece for a film presented in the Alvin Ailey exhibit titled "Edges of Ailey", directed by Kya Lou and Josh Begley at The Whitney Museum in New York City. The birth of Beautiful Noise has expanded her role as a curator soundtracking The Getty Museum celebrating Black Visual Culture for the African American Art History Initiative. Her time as a DJ has brought her gigs internationally where she toured and opened for jazz musician Cktrl, played at the legendary Tresor in Berlin, London, Paris, Tokyo, Seoul and more. Whether playing in her stomping grounds or rocking dance floors overseas, Sevyn creates dance floor memories you'll want to replay again and again.Recently at Silence Please, Nowadays, Bossa Nova Civic Club · often with VARSHA, Honey Bun, Tlim Shug, none of them here that night
names these artists often play with — not that night
- Quelza4 with The Carry Nation and 2 with Sevyn
- Nita Aviance35 with The Carry Nation
- Will Automagic35 with The Carry Nation
- Alissa Brianna16 with The Carry Nation
- S'aint Panic14 with The Carry Nation
- Eli Escobar13 with The Carry Nation
- Tedd Patterson11 with The Carry Nation
- Mike Servito10 with The Carry Nation
2,052 said they were going — about like a usual Saturday at BASEMENT.
how this compares
- Median final count, Saturdays at BASEMENT1,868
- Middle half finished between1,512 and 2,298
- Past Saturdays at this venue counted144
The room
BASEMENT — 294 events and 630 distinct artists since Aug 2023.
Holds about 500.