Who was billed5 artists
In the order the promoter listed them.
- next: The Chocolate Factory, Sat 7 NovKim Ann Foxman
- Lee Cash
- JÄK-87
- next: Good Room, Sat 21 NovGee Dee
- FREE UNIVERSE
Set times were not published.
the pairs that have met
6 of the 10 pairings on this bill were first meetings.
- Lee Cash and Gee Dee — 1 shared bill before that night, first on Fri 31 Oct 2025.
- Kim Ann Foxman and Gee Dee — 2 shared bills before that night, first on Fri 20 Oct 2023.
- Gee Dee and FREE UNIVERSE — 1 shared bill before that night, first on Sun 29 Jun 2025.
- Kim Ann Foxman and JÄK-87 — 1 shared bill before that night, first on Sat 31 May 2025.
Who they are
“The short-story version of Kim Ann Foxman’s trajectory is pretty simple: An island-born kid dreams of a life in clubland, hits the big city and, with a little bit of luck and a lot of hard work, emerges as one of dance music’s leading figures.”
their own biography
the whole biography
The short-story version of Kim Ann Foxman’s trajectory is pretty simple: An island-born kid dreams of a life in clubland, hits the big city and, with a little bit of luck and a lot of hard work, emerges as one of dance music’s leading figures. But it’s the details that transforms her singular tale into something far more fascinating than the standard-issue success story. After all, what other DJ can lay claim to the title of Miss Teen Filipina Hawaii? How many can say that their first job in nightlife was when in high school, serving as the in-house dancer and serving rave smoothies at an all-ages club? How many, after moving to New York by way of San Francisco in the early ’00s, can say that they helped to rejuvenate the city’s then-stale nightlife via her residency at one of the best parties ever held in a hole-in-the-wall gay bar, the Mad Clams affair? How many have tasted stardom as one of the original members of the scene-making dance-music collective Hercules and Love Affair? Exactly one, and it’s Kim Ann. But it’s a safe bet that she would have made it to where she is today without those biographical eccentricities, because her near-classical take on jacking club rhythms is hard to resist, sounding as fantastic at a full-scale mega-rave as it does at a grimy basement bash. It’s a universally appealing sound that’s taken her around the world—the past few years have seen her playing such hallowed halls as Fabric, Berghain, DC-10, Concrete and Contact, all while holding down a residency at her hometown’s Good Room. A lifetime in clubbing has informed Kim Ann’s studio work as well, with her music—much of it coming out on her own Firehouse label—synthesizing the best elements of raw house, propulsive 303 material, emotive techno and even the occasional hint of trance into a hugely satisfying whole that lives somewhere between the weird and the wonderful. And then there’s her latest project, Pleasure Planet, which sees her teaming with Andrew Potter and Brian Hersey to add sparkling touches of extraterrestrial new wave to the mix on her new sublabel, self:timer. It’s yet another twist in the continuing saga of Kim Ann Foxman—and, we’d wager, there are plenty more to come. Bio Written By Bruce TantumHouse on 64, Deep House on 31, Techno on 18 and Tech House on 21. styles on their catalogued releasesReleased on BMG (1), Dischi Autunno (1) and FREE UNIVERSE (1); their RA profile also lists Skint, Ghostly International, Relish Recordings, Needwant and 6 more. labels on their catalogued releases and on their RA profileRecently at public records, Nowadays, BASEMENT · often with DJ TOOL, Cora, Shaun J. Wright, none of them here that night
“NYC based Lee Cash is a curator and DJ known for her playful, high-energy and genre-bending sets.”
their own biography
the whole biography
NYC based Lee Cash is a curator and DJ known for her playful, high-energy and genre-bending sets. Hailing from the West Coast, her sound is deep and visceral. Thick basslines, heavy percussion, seductive synths, and a nod to Balearic reverie that speaks to somewhere else entirely. She moves comfortably across worlds: the sleazy and the sublime, the floaty and the frenzied, rave euphoria to driving progressive and tech house grooves. With a soft spot for the 90s and the early '00s, her sets drift between atmospheric dreaminess and loud, demanding release. She never shies away from ripping it wide open and getting a little weird. Her groove-heavy sets are iconically cheeky and make letting loose feel irresistible. She holds a residency at Good Room and has notably played The Lot Radio and Public Records.Recently at Good Room, 53 Scott Ave, Night Club 101 · often with Gbar, whydan, Perna, none of them here that night
“JÄK-87 has been a student of the Brooklyn nightlife scene for 17 years.”
their own biography
the whole biography
JÄK-87 has been a student of the Brooklyn nightlife scene for 17 years. He lives in a world where disco, acid, breakbeat, yacht rock, house and new wave are all invited to the same afters. He brings that eclectic mix of musical influences to every set so whatever genre he is in you will feel the passion for the groove!Recently at Good Room, Black Flamingo, Good Bar · often with PAPA, Timo Lee, The Carry Nation, none of them here that night
“Gee Dee is a Brooklyn-based DJ and producer rooted firmly in North America’s club scene.”
their own biography
the whole biography
Gee Dee is a Brooklyn-based DJ and producer rooted firmly in North America’s club scene. With longstanding residencies at New York institutions Good Room and Public Records, and as a 10-year veteran of Philadelphia’s iconic party Making Time, Gee Dee has been commanding dance floors for over a decade. Since his debut 12” EP in 2020, Gee Dee has delivered standout records on Superior Elevation, Planet Trip, and most recently, Klasse Wrecks. He has contributed tracks to compilations on Dream Chimney and Terra Magica, and turned in a remix for Rhode & Brown on Permanent Vacation — a track that was recently supported by Matisa on Pete Tong’s BBC Radio 1. In 2025, Gee Dee launched his own imprint, Free Universe, with debut collaborations alongside household names Kim Ann Foxman and Roman Flügel. An optimistic sense of freedom and a contagious lack of inhibition shine brightly throughout his work. A true purveyor of the “anything goes” ethos, Gee Dee seamlessly traverses decades, genres, tempos, and moods in both his DJ sets and productions — taking listeners on a sonic journey that’s equal parts euphoric, hypnotic, and psychedelic. His sound reflects the past while pushing fearlessly toward the future... always guaranteed to make you sweat. Gee Dee has performed at leading festivals such as Dekmantel, Making Time, and Love International, and graced club institutions like Basement, Flash, 1015 Folsom, Floyd, Nitsa, Zukunft, Platforma Wolff, and The Observatory. Whether in the U.S. or abroad, his sets leave a lasting impression. Outside of his solo work, he is one half of Infinity Machine — a live ambient act with Juan Maclean. Together, they’ve released three album-length cassettes on DFA Records, with a full-length double LP slated for 2026. A consistent contributor to the online mix sphere, Gee Dee’s encyclopedic musical knowledge comes to life in guest radio spots for Peggy Gou’s Gudu Mix Series, HÖR Radio, Heels & Souls on Worldwide FM, Bar Part Time, Friendly Potential, Tuff Shed on NTS Radio, and many more.House on 5, Ambient on 4, Downtempo on 4 and Acid on 3. styles on their catalogued releasesReleased on FREE UNIVERSE (3), DFA (1) and Soft Rock For Hard Times (1); their RA profile also lists Permanent Vacation, Superior Elevation, Klasse Wrecks, Dream Chimney and 2 more. labels on their catalogued releases and on their RA profileRecently at Good Room, Signal, public records · often with Juan Maclean, JDH, Mike Servito, none of them here that night
names these artists often play with — not that night
- Mike Servito3 with Gee Dee and 2 with Kim Ann Foxman
- Timo Lee3 with Gee Dee and 1 with JÄK-87
- Extra Andrew5 with Gee Dee
- Cora4 with Kim Ann Foxman
- Cosmo4 with Kim Ann Foxman
- DJ TOOL4 with Kim Ann Foxman
- JDH4 with Gee Dee
- Juan Maclean4 with Gee Dee
how this compares
- Median final count, Saturdays at Good Room422
- Middle half finished between274 and 566
- Past Saturdays at this venue counted156
The room
Good Room — 477 events and 1,024 distinct artists since Aug 2023.
Holds about 500.



