Boiler Room: NYC - Saturday
Under the K Bridge, New York City
This night happened — Sat 11 Jul
Press play
Who was billed7 artists
In the order the promoter listed them.
- BIIANCO
- DJ Heather
- Fred P
- Interplanetary Criminal
- Kevin Saunderson
- KI/KI
- next: The Chocolate Factory, Sat 7 NovØTTA
Set times were not published.
None of these artists had shared a bill before that night.
Who they are
“Acid-drenched trance cowboy :P”
their own biography
Their RA profile lists Ultra Records, Club Heart Broken and Misguided Label.Recently at Elsewhere, House of Yes, Blue Midtown · often with Diossa, Supergloss, Fenrick, none of them here that night
“In the past few years the Chicago house community has produced a number of innovative and distinct djs trained in the art of transforming tranquil dance floors into spaces of sheer bedlam and bliss.”
their own biography
the whole biography
In the past few years the Chicago house community has produced a number of innovative and distinct djs trained in the art of transforming tranquil dance floors into spaces of sheer bedlam and bliss. Derrick Carter, Diz, Mark Farina and Sneak stand at the forefront of the nouveau jock barrage born and bred in the underground gatherings which flourish there. Their committed visions of undiluted musical appreciation, interactive communication, improvisation and basic integrity has brought greater attention to all the city's great djs including the genre busting DJ Heather. Widely regarded as one of the premier selectors in the nation, this Brooklyn born Chicagoan demonstrates her skills and sharp deck acumen for the massives throughout Chicago and the world at large with verve and undeniable talent. At the urging of a friend, after hearing an unmixed compilation tape of her's, Heather started out at the Artful Dodger. A neighborhood pub with a cramped moist dance area situated in the rear. Being such a music lover djaying was a natural progression. I would ask some friends to come by. It was my chance to share my favorite records and have a few drinks " I was not really mixing but learning how to play records, programming 101." "I was responsible for five hours of music every Saturday night. Eventually I got into the technical aspect of djaying, watching other djs play and learning by example. Finally I was able to get turntables and began practicing six hours a day if I was able. The first time I mixed two records it was like discovering a new secret language" "At that stage it was truly a hobby, something I did on weekends. I always think of the dj thing as the happy accident. Maybe because I came into it at a stage when it wasn't considered a superstar thing to do. I was the only dj in a circle of photographers, actors, designers and so on." At that time she was also working for local record labels and garnering experience about the industry. One gig lead to another and the hobby soon manifested itself into a full time pursuit. For five years she earned her chops by playing an urgent mix of hip hop, house, jazz, soul, RnB, disco classics, rare groove and all manner of off-center beats relevant to the stew she was brewing. At the Dodger she fully developed her versatility and philosophy as an entertainer. During her fourth year at the Dodger, she began what would be a three year residency at Red Dog. A Wednesday night gig dedicated to downtempo beats, hip hop, rare groove and disco. "At Red Dog I was able to fully develop as a dj and hone my skills." At that same time she began a short but invaluable stint at world famous Gramaphone Records. Many of Chicago's well known djs have made a stop there; Sneak, Mark Farina, Derrick Carter, Terry Mullan, Gemini, Colette and Miles Maeda to name a few." That place was my resource center. I was hired to be the hip hop buyer. I would also use their phone lines, fax machines, FedEx and ups accounts to the fullest extent. I used the store to make contacts, ship demos/press kits and sell my own mixed material. Three years later, once bookings got in the way of covering shifts, I had to say good bye. I felt like I had graduated Gramaphone Tech. It was such an invaluable experience." Primarily known in the Chicago dance community as a "hip hop" dj she began a shift in the material she played. "It was never a conscious effort to play one genre more than another. I've always been interested in all forms of music. The demand for me to play house seemed to increase after each gig. Over time one just gave way to another. Gone but not forgotten"Their RA profile lists fabric Records, 20/20 Vision, .dotbleep, uniform recordings and 1 more.Recently at SILO · often with Nikki Nair, ZAINAB, KYRUH, none of them here that night
“Fred P, also known as Black Jazz Consortium, is a pivotal figure in the deep house and electronic music landscape.”
their own biography
the whole biography
Fred P, also known as Black Jazz Consortium, is a pivotal figure in the deep house and electronic music landscape. With over two decades of sonic exploration, his music transcends the dance floor, serving as both a personal and collective journey into introspection and transformation. Rooted in spirituality, authenticity, and innovation, Fred’s sound is a conduit for emotional resonance—a universal language designed to uplift and inspire. Born and raised in New York City, Fred’s formative years were shaped by the city’s vibrant underground scene, where the legacies of Larry Heard, Frankie Knuckles, and Strictly Rhythm’s golden era left an indelible mark. However, his artistry extends far beyond his influences. "My service is to the music, and the music is for the people," Fred once said—a testament to his ethos of creating with purpose and intention. His prolific catalog, including standout releases like States of Bliss, 6AM, and the Rhythms from the Road series, showcases his fearless blend of ambient textures, jazz inflections, and hypnotic house grooves. Through his labels—Soul People Music, Private Society, and the newly launched Collective Resource—Fred has cultivated spaces for sonic experimentation, offering everything from secret DJ weapons to deeply meditative compositions. Fred’s DJ sets are immersive experiences, known for their seamless storytelling and ability to guide dancers through reflective, soul-stirring territories. Whether performing at institutions like Panorama Bar, Tresor, or in intimate spaces around the world, he crafts atmospheres where music becomes a transformative force. His commitment to evolution is equally evident in projects like his long-form work Counterpoise, his subscriber-focused releases on Private Society, and the forthcoming live Black Jazz Consortium trio, blending electronics with organic instrumentation. After relocating to Berlin in 2012 and navigating the solitude of the pandemic, Fred found renewed clarity, deepening his connection to music and community. His post-lockdown work reflects this growth—raw, heartfelt, and infused with the wisdom of lived experience. Beyond the decks and the studio, his e-book Pathways To Sonic Alchemy delves into the philosophy behind his craft, offering insights into sound as both art and a tool for self-discovery. Fred P continues to stand as a beacon of integrity in electronic music—an artist whose sound is as timeless as it is transformative.Their RA profile lists fabric Records, Renaissance, NRK Music, Get Physical Music and 6 more.Recently at public records, BASEMENT, Nowadays · often with Lakuti, Morgan, Marie Lung, none of them here that night
“Manchester”
their own biography
Their RA profile lists Sneaker Social Club, Banoffee Pies, Seagrave, Shall Not Fade and 5 more.Recently at Knockdown Center, Car Park, Nowadays · often with Main Phase, Kedi Bounce, DJ Eivissa, none of them here that night
“His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes.”
their own biography
the whole biography
His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed. Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. The Groove That Won’t Stop, indeed.Their RA profile lists TrustTheDJ, fabric Records, Planet E, KMS and 3 more.Recently at Paragon, Xanadu · often with KXAH, Kweku Saunderson, Ne/Re/A, none of them here that night
“In the space of just a few years, KI/KI has emerged as one of the most exciting and influential voices in electronic music.”
their own biography
the whole biography
In the space of just a few years, KI/KI has emerged as one of the most exciting and influential voices in electronic music. From selling out 20,000 capacity shows and being named a Spotify Global Equal Ambassador, to gracing the cover of DJ Mag during Amsterdam Dance Event, she’s reshaping the global rave landscape on her own terms. The slash in her name – KI/KI – isn’t just a symbol. It’s a mission statement, a meeting point between nostalgia and the new. She made history as the first woman to win the Dutch Edisons Pop Award and sold out her 5 HOURS NYC show – part of her signature extended set series – in just 30 seconds. Her BBC Radio 1 Essential Mix and iconic headline b2b set with Job Jobse that conjured a crowd of 50,000 to the Alpha stage at Lowlands, has further cemented her as a driving presence on both underground and mainstage circuits and with over 1.3 million monthly Spotify listeners, her impact resonates far beyond the dance floor. Her sound is a radiant, hypnotic blend of classic 90s touchstones, shot through with modern energy. From her underground roots as a resident at Amsterdam’s queer bastion Spielraum, she’s since played back-to-back sets with legends like Armin van Buuren, whilst remaining a regular at the techno institutions Berghain, Bassiani and The Bunker New York. As a producer and collaborator, KI/KI’s creative ambition runs just as deep. Known for certified bangers like the acid-laced anthem 5 Mins Of Acid, and the dizzying remix of Felix’s classic ‘Don’t You Want Me’, plus her infectious 2025 take on ‘What’s a girl to do’ from the Dutch legend Fatima Yamaha, her sonic palette is always evolving. And yet, for all the intensity, it’s her joy that resonates most. With an array of new music on the horizon and an international fanbase growing fast, KI/KI continues to expand her universe – always on the edge between extremes, always in motion.Recently at Knockdown Center, BASEMENT · often with LYDO, TWIENA, Teecra, none of them here that night
“Her journey from the debut of the "Plus One EP" to the enchanting sounds of "Candy22" showcases Øtta's ability to infuse old-school psytrance with the rhythmic allure of Brazilian drums, complemented by subtle notes of UK garage.”
their own biography
the whole biography
Her journey from the debut of the "Plus One EP" to the enchanting sounds of "Candy22" showcases Øtta's ability to infuse old-school psytrance with the rhythmic allure of Brazilian drums, complemented by subtle notes of UK garage. The ascent of Øtta's career reached new heights following a stellar performance at Boiler Room, where she not only demonstrated her skill in captivating audiences but also invited them into a captivating realm. In this realm, Øtta's signature style unfolds a seductive universe characterized by buoyant, warm percussions, rolling basslines, captivating melodies, and the unexpected infusion of vocals. Her artistry transcends traditional boundaries, creating an immersive experience where listeners are drawn into a magnetic blend of genres. Øtta's music is a testament to her ability to craft a sonic landscape that is both sophisticated and irresistibly danceable, establishing her as a rising force in the realm of electronic music.Recently at Elsewhere, Knockdown Center, The Chocolate Factory · often with fumi, THELMA, LAMMER, none of them here that night
names these artists often play with — not that night
- fumi3 with ØTTA
- KXAH3 with Kevin Saunderson
- Main Phase3 with Interplanetary Criminal
- Adrian Mills2 with BIIANCO
- Alfandi2 with ØTTA
- Bad Boombox2 with ØTTA
- Cloudy2 with BIIANCO
- CMK (DE)2 with ØTTA
321 said they were going.
The room
Under the K Bridge — 34 events and 232 distinct artists since Aug 2023.
Most-tagged here: House (3) and Techno (3). genre tags on this room’s listings
Who put it on
Boiler Room — 6 events and 53 artists since Jul 2024.