Green Room presents Eris Drew b2b Mike Servito, S4M23
Green Room NYC195 Morgan Ave, Brooklyn, NY 11237 · Map
This night happened — Wed 6 May
Press play
Who was billed3 artists
In the order the promoter listed them.
Set times were not published.
Most of these artists had shared a bill before that night.
the pairs that have met
1 of the 3 pairings on this bill were first meetings.
- S4M23 and Mike Servito — 6 shared bills before that night, first on Sat 20 Dec 2025.
- Eris Drew and Mike Servito — 1 shared bill before that night, first on Fri 16 May 2025.
Who they are
“Sam discovered her love for electronic music at a young age while surfing YouTube, which has sent her into a lifelong digging rabbit hole.”
their own biography
the whole biography
Sam discovered her love for electronic music at a young age while surfing YouTube, which has sent her into a lifelong digging rabbit hole. Her sound reflects a deeply informed ear and reverence for dancing, pulling from her coming of age experience on the floors at raves and clubs. Her work as a DJ and producer leans into mutant sonic collisions, channeling the spirit of midwestern electronics through acid-infused, tracky body music.Trance on 3, Techno on 2, Hardcore on 2 and Ambient on 1. styles on their catalogued releasesReleased on RAVE4EVAR (1), Yearning (1) and low income $quad (1); their RA profile also lists Evar Records and Gyration Station. labels on their catalogued releases and on their RA profileRecently at Signal, Green Room NYC, Bossa Nova Civic Club · often with Miss Parker, MORENXXX, Erika, none of them here that night
“Eris Drew is a DJ, producer and trans ecstatic from Chicago.”
their own biography
the whole biography
Eris Drew is a DJ, producer and trans ecstatic from Chicago. She runs the T4T LUV NRG recording label with her loving b2b partner Octo Octa from a log cabin in New Hampshire. Together, they are BBC Radio 1 residents for the 2020 Spring/Summer season. Eris is a recording artist for her own label, Interdimensional Transmissions (Detroit) and Naive Records (Lisbon). She conducts the Psychedelic Rites of the Motherbeat with her friends at Pittsburgh's Hot Mass and at Room 4 Resistance in Berlin. Eris has been playing and programming keyboards since she was a child. A long-time resident at Chicago's Smart Bar and DJ for the Bunker NY, she starting mixing records in 1994 at the age of 18. Her experiences as a musician and dancer showed her that rave is a powerful apparatus which can be used to transform individual lives and communities. In an effort to contextualize the rave experience, Eris gives talks around the world on the connections between dance music culture and other ecstatic traditions such as shamanism. In addition, she is an advocate for trans/non-binary/queer people and mentors aspiring DJs and electronic musicians. When Eris was 18 she had an intensely disruptive spiritual awakening. House music cracked her open and revealed a mystery contained within sound. This “Motherbeat”—as she would call it—was first beheld by Eris following a rave in 1994 at Chicago’s Oak Street Theater. She has helped Eris to heal, create art and find her friends for over 23 years. Motherbeat is a fundamental primordial pulsation; a whispering geometric wind with the power to heal; the archetype of a goddess ascending. She is there to remind us that: I. Ritual dance music has been here since the beginning, before historical time. II. Each of us is made for better things than the cultural download we receive provides. III. We can use the music as a technology to unlock our bodies, dissolve boundaries and models, and find each other.Their RA profile lists Interdimensional Transmissions, Needs (not-for-profit), Naive, T4T LUV NRG and 2 more.Recently at Nowadays, Knockdown Center, BASEMENT · often with Octo Octa, Immy, LYDO, none of them here that night
“Some DJs burst upon the scene like a supernova, fading just as quickly.”
their own biography
the whole biography
Some DJs burst upon the scene like a supernova, fading just as quickly. Others take years, even decades, to make their way—but those are the ones who make the most impact, thanks to a lifetime of accumulated musical wisdom. Mike Servito is a prime example of the latter. His career is one that’s defined by a slow and steady rise to upper ranks of the deejaying realm—and along the way, he’s perfected a jacking style that equal parts house, acid and techno, a sound that pays homage to the past while being very much of-the-moment. A Detroit-area native, Servito got his early education by tuning into the Electrifying Mojo and the Wizard (Jeff Mill’s radio moniker). By the early ’90s, Servito was primed to try his hand at the deejaying arts, “I was just kind of cocky about it,” he says. “I knew I could do it.” And he was right—in the DJ hotbed of Detroit, internalizing knowledge gleamed from the likes of Mike Huckaby and Claude Young, he kept working at it until he established himself as a force to be reckoned with in the Motor City circuit, eventually becoming a member in good standing with the inner circle of Ghostly International. But Servito felt the need for a change from the sometimes insular environment of Detroit. By the late ’00s, he was living in NYC with no real game plan in place. As it turned out, he didn’t really need one—he soon fell in with the city’s premier techno party, The Bunker, becoming one of its mainstay residents. Around the same time, he was beginning to make his presence known on a global scale, packing dance floors with gigs around the States and around the world. But it was a hometown festival snub in 2014 that really got things going. Servito had played Movement once before, in 2011. “And between then and 2014,” he recalls, “I had been playing so many Bunker parties, playing so many great gigs and my profile was rising—so I was sure they would book me again.” The invite never came. Instead, he booked himself at every Movement after-party he could, one of which was the annual No Way Back, a legendary throw down hosted by The Bunker New York and Detroit’s Interdimensional Transmissions label. The set, a riotously sweaty bleeps-and-beats affair, was recorded for posterity; unexpectedly but deservedly, it garnered a nod as the year’s No 1 online Mix of the Year on Resident Advisor. That was the spark that set Servito’s career aflame, the push that took him to the top. Since then, he’s cemented his status as one of the most respected spinners around, regularly manning the decks at such hallowed halls as Berlin’s Panorama Bar, London’s XOYO and Tokyo’s Contact, not to mention the world’s best festivals—including, of course Movement. And to this day, his approach to deejaying is refreshingly simple: “I really don’t think about it,” he says, “When I’m playing, I just dive in, and I’m OK.” He’s far more than okay—he’s one of the best around.Techno on 7, Acid on 5, House on 5 and Acid House on 3. styles on their catalogued releasesReleased on The Bunker New York (2) and Interdimensional Transmissions (1); their RA profile also lists Firehouse and Honey Soundsystem. labels on their catalogued releases and on their RA profileRecently at Paragon, BASEMENT, H0L0 · often with Shaun J. Wright, JADALAREIGN, The Carry Nation, none of them here that night
names these artists often play with — not that night
- Lauren Flax8 with Mike Servito and 3 with S4M23
- Carlos Souffront8 with Mike Servito and 2 with S4M23
- Jeffrey Sfire7 with Mike Servito and 3 with S4M23
- Magda7 with Mike Servito and 2 with S4M23
- Justin Cudmore13 with Mike Servito
- Shaun J. Wright12 with Mike Servito
- JADALAREIGN11 with Mike Servito
- Nita Aviance10 with Mike Servito
Sound
Techno and Acid.
styles on the acts’ catalogued releases379 said they were going.
The room
Green Room NYC — 109 events and 352 distinct artists since Nov 2025.
Holds about 300.
Most-tagged here: House (22), Techno (13), Tech House (9) and Progressive House (3). genre tags on this room’s listings
Who put it on
Golden Record NYC — 267 events and 633 artists since Aug 2023.