Juneteenth

Who they are

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  Felix Da Housecat

  Chicago · 11 bookings since Aug 2023

  “Felix da Housecat’s 2001 album, Kittenz and thee Glitz, turned the dance music world on its side as his collaborations with the now infamous Miss Kittin on “Silver Screen” and “Madame Hollywood” and Melistar on “Harlot” and “What Does it Feel Like” spawned a synth club revival.”

  their own biography

  the whole biography

  Felix da Housecat’s 2001 album, Kittenz and thee Glitz, turned the dance music world on its side as his collaborations with the now infamous Miss Kittin on “Silver Screen” and “Madame Hollywood” and Melistar on “Harlot” and “What Does it Feel Like” spawned a synth club revival. Along the way, Felix gained mainstream press acceptance and was heralded by Entertainment Weekly, Rolling Stone and Spin as one of the most creative artists in music today. With DEVIN DAZZLE AND THE NEON FEVER (2004, Emperor Norton), Felix once again has sewn together an album a la hip-hop’s Dan The Automator and Prince Paul which taps the talents of varied producers and vocalists and creates a thoroughly enjoyable ride. Boasting guest vocals from James Murphy of DFA/LCD Soundsystem (“What She Wants”) – “He’s a cool white boy with lots of funk,’ states Felix, Tyrone "Visionary" Palmer (“Ready to Wear,” “Neon Human”), Kate Wax, and an all-girl group known as The Neon Fever (“Rocket Ride,” “Short Skirts,” “Everyone is Someone in LA,” “Hunting Season”) Devin Dazzle and the Neon Fever transcends simple dance, rock or pop music. While Kittenz had it’s framework squarely built upon DJ and club culture, Devin Dazzle and the Neon Fever is an album built upon punk/post new-wave culture and is deliberately more song oriented. To accomplish this Felix took a new approach. “I decided I wanted to use live musicians for this album,” Felix explains. “I got so tired of the arpeggiated bass lines everyone's using, so I went out an got proper live musicians. I play keyboards because I really wanted to get a live feel for this record." Talking about some of the cast of characters he enlisted for the album, Felix relates how each had an effect on the superego of the album. The tracks on Devin Dazzle fluctuate between an upbeat spiritual side versus the temptations of the excess of nightlife under neon lights - partying and sex. The Neon Fever (formerly known as Glamarama) represents the latter. “The Neon Fever are five girls from around the world that represent five different types of women,” states Felix, “I wanted to capture their individual personalities within the lyrics and make their voice a collective through each song. I wanted to capture the inside scoop of guys looking into a woman’s world. I think the result is some lyrics that aren’t what guys would typically write.” Felix’s Kittenz cohort, Dave the Hustler, introduced Felix to Kate Wax. “I was real impressed with her because although she is a talented and impressive producer in her own right. She was willing to listen and work to improve with me. She’s real pretty and ambitious and for her to go with the vibe it was amazing. ‘Let Your Mind Be Your Bed’ is just the tip of the iceberg given her talent.” “Tyrone ‘Visionary’ Palmer was the spiritual leader of the entire album and kept me writing about things that were meaningful. He brought a good balance to the record,” relates Felix. Over the course of 20 years his determination and willingness to re-invent himself have led him to a point that has now included a Grammy nomination, remix work for artists such as Madonna, Garbage, New Order and Giorgio Moroder; to DJ gigs at the world’s most prestigious music festivals. Born in Detroit in 1971 and raised in Park Forrest, outside Chicago, Felix Stallings, Jr.'s earliest influence was his father, a saxophonist who turned him on to classic '70s funk and soul by artists like Stevie Wonder and Earth, Wind & Fire. His next major musical epiphany came about when Purple Rain dropped and he became the keyboardist for Shades of Blue, a band that covered Prince & the Revolution songs. In Chicago during the early '80s, the House music revolution grabbed Felix’s attention. For Felix, it centered around Chicago's 102.7 and the pioneering Hot Mix DJs. "I remember listening to Farley ‘Jack Master’ Funk, Mike ‘Hitman’ Wilson, Micky ‘Mixin'’ Oliver, and Kenny ‘Jamming’ Jason," Felix says rattling off the city's House pioneers. By 14 he too was recording house music on his four-track. A school friend introduced him to DJ Pierre who he collaborated with on their classic house track "Phantasy Girl". But Felix's tastes weren't limited to a single genre. His senior year he played in Uncut, a band with an R&B-like vibe. After graduation he enrolled at Alabama State and began making hip-hop. After two years in the Deep South (an experience he compares to “prison") he flunked out. In 1991, Felix moved into his parents' basement, studied audio engineering at Columbia College and worked at Eduardo's pizzeria. "It was rough," he says. "I hated those ovens and I kept thinking something's got to give." What finally gave was Pierre’s once-in-a-lifetime offer. "Once I got to London and saw all those punk rockers," Felix says, "I thought `this is where it's going to happen.'" Armed with a box of DATs, Felix made the rounds. "It was crazy," he says, "I'd walk into a label cold, play a track, and they'd sign it!" He quickly sold "What's Love About" to Freetown Inc and "Thee Dawn" to William Orbit's Guerilla label and returned to the states with more money then he'd ever seen. In 1992 "Thee Dawn" became a European smash and Felix blew-up overseas. "I was producing a track a week for different labels," he says. The next year, the success of "Thee Underground Made Me Do It," and "In Thee Dark We Live," helped further cement his fame. The latter track, released under Aphrohead, was just one of Felix's many production aliases which would come to include Wonderboy, Rocketmann, Outerrealm, Thee Glitz and Thee Maddkatt Courtship. Felix scored an album deal with Deep Distraxion in 1993 and dropped By Dawns Early Lite, one of the first full-length dance music artist albums ever. Unlike other dance artists, Felix didn't start DJing until midway through his career. "My first DJ gig was in London in 1994 and it was horrible," he says laughing. "I was train-wrecking all over the place." (Now, of course, with DJ of the year honors from Spin and Urb it's a different story.) In 1995 Felix started Radikal Fear records with European distributor Play it Again Sam. Between 1995 – 96, he made four full-length records Alone In The Dark, Metropolis Present Day? Thee Album, Thee Underground Made Me Do It and Rocketman. In 1997, Felix released the import-only I Know Electrikboy by Thee Maddkat Courtship, an album that despite its limited release, earned Felix reams of fawning press. That same year he played Switzerland and met Miss Kittin and Dave the Hustler. "We got along great and went into the studio and got all silly," Felix explains. The realization of their “silliness” was one of the most influential dance music releases of the past decade. ”Nobody expected it," says Felix of Kittenz & Thee Glitz's meteoric success, “but it just took off." It’s Moroder-indebted beats, funky synth lines, and insouciant L.A.-meets-Eurotrash vocals captured a moment in time when, after a period of political turmoil, people simply craved "endless pleasure in a limousine." In addition to adoring reviews in The New York Times and Rolling Stone, Kittenz won album of the year honors from Muzik Magazine and Dancestar USA. Post-Kittenz, Felix has become one of the most sought after remixers and producers on the planet reinterpreting songs by everyone from the Pet Shop Boys to Kylie Minogue to Nina Simone. In 2003 he was nominated for Grammy Award for his mix of Rinocerose’s “Lost Love," released two mix albums entitled Excursions and Bugged Out and began working with artists like P-Diddy, who were eager to tap his prodigious production skills. With all that said, one inevitable question remains, where did the name "Devin Dazzle and the Neon Fever” come from? Felix being Felix, has an answer for everything: “Devin Dazzle is a character fascinated by the nightlife," he says "Every time he sees neon lights he gets the fever. But Dazzle has a friend named Neon Fever who’s a bad influence on him and is everything opposite of Devin.” So, might this be an autobiographical album? “It’s something personal” he says, “and I’m not gonna tell.”
  Discography ↗
  Their RA profile lists Global Underground, City Rockers, Obsessive Recordings, PIAS and 6 more.

  Recently at House of Yes, Xanadu, Industry City · often with Todd Edwards, Devoye, Bernau, none of them here that night

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  Shaun J. Wright

  Chicago · 45 bookings since Aug 2023

  “Born and raised in west suburban Chicagoland, Shaun J. Wright spent most of their teen years immersed in the sounds of house music.”

  their own biography

  the whole biography

  Born and raised in west suburban Chicagoland, Shaun J. Wright spent most of their teen years immersed in the sounds of house music. In the late 80’s and early 90’s, house music was a powerful force, permeating the mainstream airwaves of Chicago’s most prominent radio stations. With Wright being raised in the epicenter of house culture during this era, their love for dance music began to expand throughout their high school years as they partook in the underground dance scene now globally known as Juke. While in undergrad at Morehouse College in Atlanta, they developed their skills as a dancer in the vogue ballroom scene and professional dance companies. After acquiring an MA Fashion Curation from the London College of Fashion, Wright enjoyed an active career in fashion in New York City. That is where they met Andrew Butler, founder of Hercules and Love Affair, in 2008, and began a whirlwind collaboration with the ensemble as a vocalist. They spent nearly three years touring with the outfit, performing in major venues & festivals throughout North & South America and Europe. They’re also featured prominently on the ensemble’s lauded sophomore album, “Blue Songs’. Returning to Chicago in 2012 to forge their solo career, Wright began to collaborate with respected DJ and producer Alinka. Promptly after beginning their party Twirl in the spring of 2013, Wright & Alinka released their first EP, Twirl Vol. 1, on the celebrated Classic Music Company led by luminaries Luke Solomon and Derrick Carter. They continued to expand upon the brand in late 2014 with their Twirl Records debut release “Journey Into The Deep” EP which included remixes from Kim Ann Foxman and Stereogamous. The label’s output has received much critical acclaim and has been supported by DJ Mag, XLR8R, Mixmag, BBC Radio 1’s Heidi and Annie Mac, and a plethora of notable DJ’s. Wright continues to collaborate with other sought after producers including Chrissy, Kiki, System Of Survival, Stereogamous Bell Boys, Bobmo, and Nicholas, and has been released on Freerange, BPitch Control, Honey Soundsystem & Cocktail D’Amore, Discovery, Marble, and 4Lux, respectively. Wright steadily exhilarates dance floors internationally as a DJ weaving live vocals throughout their sets in locations as far and varied as: Sydney, Berlin (Panorama Bar), London, Auckland, Stockholm, Barcelona, NYC, Los Angeles and his hometown of Chicago (Smart Bar).
  SoundCloud ↗
  House on 53, Deep House on 34, Tech House on 21 and Techno on 7. styles on their catalogued releases

  Released on .FREQLINK (1), Black Artist Database (1) and Leftroom (1); their RA profile also lists Defected Records, Classic, BPitch, Freerange Records and 6 more. labels on their catalogued releases and on their RA profile

  Recently at Dead Letter No. 9, Knockdown Center, BASEMENT · often with Mike Servito, cotton, LYDO, none of them here that night

• DADA COZMIC

  New York City · 51 bookings since Aug 2023

  Recently at Elsewhere, Dead Letter No. 9, The Meadows · often with DJ Ultra Violet, Total XTC, Donis, none of them here that night

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  Preacher's Daughter

  New York City · 31 bookings since Aug 2024 · Open-format Black diaspora

  “Preacher’s Daughter is a DJ, sound artist, and writer whose practice is rooted in curation as storytelling.”

  their own biography

  the whole biography

  Preacher’s Daughter is a DJ, sound artist, and writer whose practice is rooted in curation as storytelling. Guided by rhythm, tension, and release, her sets unfold patiently, allowing atmosphere, percussion, and emotional movement to shape the dance floor. Moving through rhythm, texture, and tension, she builds sets that carry lineage, politics, cultural memory, and a coherent emotional world. She builds immersive dancefloors that reward close listening as much as physical and internal movement. Her selections prioritize texture, negative space, and raw rhythmic energy, inviting dancers into moments of reflection, collective intensity, and transformation.

  Recently at Bossa Nova Civic Club, Paragon, Newtown Radio · often with LTE, zabe, Astriks, none of them here that night

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  Nymph

  New York City · 30 bookings since Aug 2023

  “Nymph is an emerging force in NYC’s underground scene, known for her unapologetic sets and instinct for body moving rhythms.”

  their own biography

  the whole biography

  Nymph is an emerging force in NYC’s underground scene, known for her unapologetic sets and instinct for body moving rhythms. With a passion for techno, she delivers driving, high energy selections that keep the dance floor moving from start to finish.
  SoundCloud ↗

  Recently at Mood Ring, Bossa Nova Civic Club, Paragon · often with KIMKILLA, BNJY, Dylan Ali, none of them here that night