Sights & Sounds
Zombies In Miami (live), Youandewan, Kim Ann Foxman, Nate Mohler (A/V set)
The Chocolate Factory70 Scott Ave Brooklyn, NY 11237 · Map
Sat 7 Nov 2026 · 9pm → 4am Sun · 7 hours
$15 – $40 · 21+ · Golden Record NYC and Sights and Sounds ·
Press play
Who’s playing3 artists
In the order the promoter lists them.
Set times not published.
the pairs that have met
2 of the 3 pairings on this bill are first meetings.
- Zombies In Miami and Kim Ann Foxman — 1 shared bill before Saturday, first on Fri 8 May 2026.
Good to know
- “This is an exclusively ticketed event. Doorman's discretion and capacity restrictions will be in place. Proof of ID (21+) required.”
Join us on Saturday, November 7th as we return to The Chocolate Factory in association with Golden Record NYC for the next edition of Sights & Sounds, a night of forward-thinking music, experiential art, and a multi-sensory immersive experience.
Event Details
Sights & Sounds is a visual and auditory event series merging immersive art with forward-thinking electronic music to create multi-sensory experiences.
Sounds by
Zombies in Miami (Live)
Nate Mohler (Audiovisual DJ Set)
Art & Visual Experience
GUMGUM Studio returns to The Chocolate Factory, transforming the space through motion, light, and sculptural form with custom lighting and an interactive installation.
Visual projections by Projekt will shape the environment throughout the night, creating an evolving dialogue between music, light, and the surrounding space.
Opening the evening, Nate Mohler presents a special audiovisual performance weaving together music and projections.
Experience and immersive environment where sound, light, & visual art interact throughout the night.
Entry
Safety
All our events are inclusive of all genders, sexualities, races, and abilities. Any form of discrimination will not be tolerated. For security concerns, please contact the venue directly.
All sales are final. No refunds or exchanges.
the rest of the promoter’s listing — 1 more paragraph
This is an exclusively ticketed event. Doorman's discretion and capacity restrictions will be in place. Proof of ID (21+) required.
from the promoter’s listing on Resident Advisor
Who they are
“ZOMBIES IN MIAMI is a project created by Cani & Jenouise.”
their own biography
the whole biography
ZOMBIES IN MIAMI is a project created by Cani & Jenouise. The couple became one of the most prominent members of Mexico‘s vital electronic scene over the last decade. After highly acclaimed EPs and tracks for such diverse labels as Running Back, Correspondant, Love on the Rocks, Fabric, Permanent Vacation or Live at Robert Johnson they started their own label called Creatures of the Night releasing their own music and talented people from Latinoamérica and all the world. Playing regularly in top clubs in the world like Berghain / Panorama Bar, Robert Johnson, Fabric, Blitz, Nitsa, Lux Fragil, Basement, Rex and also festivals as Sonar, Fusion, Goptun Festival, Nachtdigital, Paradise City, Garbicz, Mutek and many more. https://www.sweatlodgeagency.com/artist/zombies-in-miami/Their RA profile lists fabric Records, Permanent Vacation, Running Back, Live At Robert Johnson and 6 more.Recently at BASEMENT, MAD Radio NYC, H0L0 · often with Berghain, DJ MARIA., Säule, none of them here on Saturday
- Their RA profile lists Simple Records, Aus Music, Secretsundaze, Ornaments Music and 6 more.
Recently at Signal, public records, H0L0 · often with Lauren Flax, Huerta, J. Richards, none of them here on Saturday
“The short-story version of Kim Ann Foxman’s trajectory is pretty simple: An island-born kid dreams of a life in clubland, hits the big city and, with a little bit of luck and a lot of hard work, emerges as one of dance music’s leading figures.”
their own biography
the whole biography
The short-story version of Kim Ann Foxman’s trajectory is pretty simple: An island-born kid dreams of a life in clubland, hits the big city and, with a little bit of luck and a lot of hard work, emerges as one of dance music’s leading figures. But it’s the details that transforms her singular tale into something far more fascinating than the standard-issue success story. After all, what other DJ can lay claim to the title of Miss Teen Filipina Hawaii? How many can say that their first job in nightlife was when in high school, serving as the in-house dancer and serving rave smoothies at an all-ages club? How many, after moving to New York by way of San Francisco in the early ’00s, can say that they helped to rejuvenate the city’s then-stale nightlife via her residency at one of the best parties ever held in a hole-in-the-wall gay bar, the Mad Clams affair? How many have tasted stardom as one of the original members of the scene-making dance-music collective Hercules and Love Affair? Exactly one, and it’s Kim Ann. But it’s a safe bet that she would have made it to where she is today without those biographical eccentricities, because her near-classical take on jacking club rhythms is hard to resist, sounding as fantastic at a full-scale mega-rave as it does at a grimy basement bash. It’s a universally appealing sound that’s taken her around the world—the past few years have seen her playing such hallowed halls as Fabric, Berghain, DC-10, Concrete and Contact, all while holding down a residency at her hometown’s Good Room. A lifetime in clubbing has informed Kim Ann’s studio work as well, with her music—much of it coming out on her own Firehouse label—synthesizing the best elements of raw house, propulsive 303 material, emotive techno and even the occasional hint of trance into a hugely satisfying whole that lives somewhere between the weird and the wonderful. And then there’s her latest project, Pleasure Planet, which sees her teaming with Andrew Potter and Brian Hersey to add sparkling touches of extraterrestrial new wave to the mix on her new sublabel, self:timer. It’s yet another twist in the continuing saga of Kim Ann Foxman—and, we’d wager, there are plenty more to come. Bio Written By Bruce TantumHouse on 64, Deep House on 31, Techno on 18 and Tech House on 21. styles on their catalogued releasesReleased on BMG (1), Dischi Autunno (1) and FREE UNIVERSE (1); their RA profile also lists Skint, Ghostly International, Relish Recordings, Needwant and 6 more. labels on their catalogued releases and on their RA profileRecently at BASEMENT, Qncc, Signal · often with DJ TOOL, Cora, Shaun J. Wright, none of them here on Saturday
names these artists often play with — not on Saturday
- Berghain6 with Zombies In Miami
- Cora4 with Kim Ann Foxman
- Cosmo4 with Kim Ann Foxman
- DJ TOOL4 with Kim Ann Foxman
- Makadsi4 with Kim Ann Foxman
- Ron Like Hell4 with Kim Ann Foxman
- DJ MARIA.3 with Zombies In Miami
- Fadi Mohem3 with Zombies In Miami
how this compares
- Median final count, Saturdays at The Chocolate Factory188
- Middle half finished between65 and 470
- Past Saturdays at this venue counted65
- Counted so far39 on Thu 8 Oct, 56 on Mon 19 Oct
Counts keep rising until the night; this is where it stands today.
The room
The Chocolate Factory — 150 events and 569 distinct artists since Aug 2023.
Who’s putting it on
Golden Record NYC — 267 events and 633 artists since Aug 2023.
Sights and Sounds — 15 events and 86 artists since Feb 2025.
Also that night
- WRECKED: Partok / Mike Servito / PEPIITA / Loren / Ron Like Hell / Ryan SmithBASEMENT — Ron Like Hell and Kim Ann Foxman keep turning up on the same bills.
- Benji B, Cosmo / Louise Chen, Hidden Spheres / Francis Harris & Talpublic records — Cosmo and Kim Ann Foxman keep turning up on the same bills.
- Outer Heaven presents: DJ Immortal [Live]Outer Heaven — also tagged house and techno.
how these 3 are connected
- WRECKED: Partok / Mike Servito / PEPIITA / Loren / Ron Like Hell / Ryan Smith — Ron Like Hell and Kim Ann Foxman have shared 4 bills; Ron Like Hell is on that bill and Kim Ann Foxman is on this one.
- Benji B, Cosmo / Louise Chen, Hidden Spheres / Francis Harris & Tal — Cosmo and Kim Ann Foxman have shared 4 bills; Cosmo is on that bill and Kim Ann Foxman is on this one.
- Outer Heaven presents: DJ Immortal [Live] — RA tags both listings house, techno.