
Chaos In The CBD presents 'Dust Till Dawn
Knockdown Center52-19 Flushing Ave., Queens, NY 11378 · Map
This night happened — Sat 29 Aug · 3pm → 5am Sun
21+ · Knockdown Center ·
Press play
Who was billed7 artists
In the order the promoter listed them.
- Chaos In The CBD
- next: Cosmic Arts, Sat 24 OctJoe Claussell
- Floorplan
- next: Fitzroy in Berlin, Fri 30 OctShy One
- next: Refuge, Fri 30 OctSuze Ijó
- DJ Ray
- Extra Andrew
Set times were not published.
Who they are
““Walked on the beach, went to a vineyard for lunch, smoked weed, drank too much and got to play my music all weekend: Etta James, ’80s stuff, Winans Brothers Louie Vega remix, The Orb and John Tejada’s Sweat On The Walls.””
their own biography
the whole biography
“Walked on the beach, went to a vineyard for lunch, smoked weed, drank too much and got to play my music all weekend: Etta James, ’80s stuff, Winans Brothers Louie Vega remix, The Orb and John Tejada’s Sweat On The Walls.” Ms Helliker-Hales When your mum sends you texts like the above it’s perhaps not surprising you find yourself with a musical career. For the Helliker-Hales brothers in Chaos In The CBD, it’s strictly a family thing. They may well be one of the hottest propositions in the current house firmament, but they’ve still managed to maintain the homespun vibe that comes from growing up in the idyllic suburbs of Auckland. These days the duo – Louis and Ben (aka Beans) – are part of the tight knit Peckham dance community, but the chill summers of New Zealand’s North Island still hold a place in their fertile imagination. Having been schooled in the wares of bands like The Cure and Joy Division from their music-mad parents, it’s now the boys turning them onto house music and, yes, John Tejada. The pair has always had a certain drive to succeed right from their early forays into electronic music after Louis’ Damascene conversion from rock to house at a Melbourne rave. He returned a convert, guiding Beans’ meandering explorations on Fruity Loops towards the sound of Chicago. They’d stand and watch local heroes like Soane, Dick Johnson, Bevan Keys and Greg Churchill and imagine themselves in the booth. Later, they received lucky guidance from Detroit-born Recloose, who washed up on Auckland’s shores and stayed several years. Their move to Peckham, however accidental, couldn’t have been timed better if they’d tried. They met local scenester Bradley Zero on a train, the week they arrived. “I said, ‘That's the guy from Boiler Room’,” recalls Louis. “Beans went to say hi and Bradley said, ‘I’ve actually got some of your records.’ And we were like, ‘You got to be kidding. This is crazy.’ He told us about Rhythm Section and the parties and we became regulars.” That fortuitous connection became part of their new network in the buzzy, emerging Peckham, with Bradley later releasing the vaunted breakthrough EP, Midnight In Peckham. Beans’ job in Yam Records, round the corner from Peckham Rye station, closed the circle. They might have funny accents, but this was now home. Nevertheless, it’s the memories of New Zealand – and Beans’ chilled outlook – that produces those characteristically mellow house sounds. “It’s testament to just how chill we are; we grew up by the beach,” claims Louis, while Ben chimes in: “It's very much a representation of our childhood.” Despite their horizontal approach to studio work, their live sets are on a different level. “Our DJ sets are completely different to how we produce,” says Louis. “We play heavy – not techno heavy – but it’s very rare we’d play a song like that Midnight In Peckham.” Having built a reputation in the studio and followed it up with the constant rigours of the DJ touring life, they’re now ready to take stock, step back and examine where they want to be in ten years rather than the afterparty in three hours. They’ve taken the big step from having a laugh to building a career. “Plans?,” queries Louis. “We’ve got our own label and we invest a lot in that. It means we can release stuff at a rate which we want to. We also have a two tracker for Mule Musiq but then going forward, it's kind of open waters, though we do want to start working with outside labels again, it can be a bit of an echo chamber recording for yourself.” The label in question is their venture in tandem with fellow Kiwi Jon Sable, In Dust We Trust, which has so far yielded a sterling set of releases between the trio. The music industry is littered with warring brothers, from Dave and Ray Davies in the Kinks to the Everly Brothers’ Phil and Don. Chaos In The CBD couldn’t be more different. “We wouldn't be here doing this if there wasn't two of us,” admits Louis.”There’s just been too many scenarios where I couldn't have done it without him and vice versa. So we lean on each other a lot emotionally. Plus, if something goes wrong, it's only half your fault; if something goes right, you get to share it with someone.” Amen to the Chaos.Their RA profile lists Release Sustain, ClekClekBoom, Amadeus, Church and 5 more.Recently at public records, Knockdown Center, Good Room · often with Vlada, DJ Stingray 313, Dennis Bovell, none of them here that night
“Joaquin "Joe" Claussell was born in Brooklyn to a large and diverse Puerto Rican family with deep musical roots.”
their own biography
the whole biography
Joaquin "Joe" Claussell was born in Brooklyn to a large and diverse Puerto Rican family with deep musical roots. Throughout his life, music was Joe's shelter, family, food, comfort, escape and love. His first exposure to entertaining audiences was in his own neighborhood at block association events, musically led by one of his elder brothers Larry Claussell. Not long after he hit the club and began collecting vinyl at the age of 15 and his diverse taste for music and dance led him from a Disco at a club called The Inferno to Punk music’ s sanctuary CBGBs, the alternative driven Mudd Club, the more mainstream Underground, and the legendary Paradise Garage. While living in the East Village in the early 90s, he found and fell in love with a record store called Dance Tracks. He formed a friendship with the owner, which became the foundation of his musical career. Joe became the store’s DJ and called weekly parties that drew a diverse and increasingly devoted crowd of music lovers. All in the name of fun he received an invitation from owner and good friend Stan Hatzakis he began producing: and did his first remix “Over” and his produced first track "Awade,” both becoming instant underground classic. Over time he learned the music business and eventually took over the Dance Tracks. In 1996 Joe launched his independent eclectic world house label Spiritual Life Music from the back of Dance Tracks, and around the same time over saw the birth of “Ibadan Records” with friend and executive producer Jerome Sydenham. The labels’ productions are fluid - with organic African, Brazilian, Latin and Middle Eastern Rhythms crossing over into Disco, Jazz, House, and Electronic music. He is intricately involved in every aspect of the production process: the music, writing, selection or creation of the visual art, and graphic design. Under his labels he has nourished and produced fledgling artists. His first release was "Nothing's Changed" by Ten City, followed by works from Jephté Guillaume, Mateo & Matos, Slam Mode, and Three Generations Walking. His own first full-length album was "Language." Great artists and record labels have sought him out for collaboration and remixes of works by Femi Kuti, Herbie Hancock, Beth Orton, Steward Mathewman (Sade), Cassandra Wilson, Diana Ross, and Manuel Göttschin to name a few. His remixes have revived classics such as Hector Lavoe‘s Classic “Alejate;” Cesoria Evora’s “Sangue De Beirona.” and Nina Simone's “Feeling Good” featured on prominent TV shows such as “Sex And The City”. Joe’s "Feeling Good" remix sung by the late Nina Simone was solely responsible for the reemergence of the song which spawned countless remakes and till this day redone as well as used on many TV ads and commercials. Also in 1996, Joe Claussell joined Francois K and Danny Krivit to play for the legendary “Body & Soul” Sunday afternoon dance party. For 6 years, music and dance lovers from NYC and around the world came every week religiously to experience the totally unique musical journey of Classic, World, Soul, Disco, Funk, and House. The tracks are brought to an infinitely higher level by the synergy of each DJ's unique of live performance artistry and the incredible creative and conscious crowd. 15 years later Body and soul is going stronger than ever. For the last decade to present, Joe has been constantly playing music all over the world, however it is also his being in high demand as a producer and remixer that keeps him working. Joe’s talents are also sought after in the visual art world where he is currently touring with a project titled “TREMBLING sensing space” produced by Dutch theater director Lidy Six. As a musician, Joe has toured with the likes of the world-renowned percussionist Mino Cinelu and currently playing along side of the mind blowing pianist/keyboard extraordinaire Bugge Wesseltoft in a band that includes Erik Truffaz, Ilhan Ersahin, Med Band and Torun Erikse. While in New York, He began the Sacred Rhythm Party, designed to bring House and live musicians together in an intimate environment. Soon to come will be his first Internet radio show titled “an invitation to openness” a show dedicated to the freedom of just listening to what ever speaks to him at that moment, as opposed to being at the mercy of the listening audience. Joe contemplates humanity and its trends from a distant but touched perspective. He personally strives for spiritual and creative freedom, and encourages loved ones to tap into their own unique resources to build a society where art and individuality is nourished and celebrated. For people who want a deep introspective music journey to the soul - Joe's shows are a rare and coveted opportunity. His ability to connect with people who share his passion for the rhythms of life through a higher universal language , which keeps people intrigued into staying tuned while listening, dancing and evolving to his unique philosophy and deep rhythms.Deep House on 62, House on 44, Ambient on 19 and Downtempo on 8. styles on their catalogued releasesReleased on BBE (1) and Sacred Rhythm Music (1); their RA profile also lists NRK Music, Ibadan Records, Rekids, Secretsundaze and 5 more. labels on their catalogued releases and on their RA profileRecently at Circle Line Cruises, Xanadu, House of Yes · often with Danny Krivit, Francois K, Donis, none of them here that night
- Their RA profile lists Aus Music, M-Plant and EPM Music.
Recently at Sunset Park Rooftop, Refuge, House of Yes · often with beewack, CARISTA, Playr1, none of them here that night
“DJ / Producer from London.”
their own biography
the whole biography
DJ / Producer from London. NTS - Soup To Nuts show Balamii RadioTheir RA profile lists Big Dada, Eglo Records, Numbers, DVA Music and 5 more.Recently at Nowadays, public records, Earthly Delights · often with Lovie, Honey Bun, VARSHA, none of them here that night
“A communal hub that used to exist in her home city, the space was designed for music lovers to come together to play, listen and talk, as well as collaborate on private events that are influenced by David Mancuso's infamous Loft parties.”
their own biography
the whole biography
A communal hub that used to exist in her home city, the space was designed for music lovers to come together to play, listen and talk, as well as collaborate on private events that are influenced by David Mancuso's infamous Loft parties. That Loft manifesto feeds into the sounds in her own DJ sets too, whether in the booth or on the waves. From infectious Chicago house to uplifting 80s cuts and warm, soulful grooves; the mood transports you back to the heydays where dance floors were becoming spaces for freedom, self-expression and connection. It's music to bring people together, music to get you moving, and music to lose yourself in. Now a globe-trotting DJ, Ijó has brought her unique sound to venues such as Nowadays, Smartbar, and Spot Lite Detroit in North America. In Asia, she has graced the stages of the Wonderfruit Festival in Thailand and Potato Head in Bali. Her music resonates in prestigious European venues like Panorama Bar, De School, Lux Fragíl, Kaiku, and at Dekmantel Festival, where she frequently performs. Despite a hectic schedule, Ijó's club sets are marked by intentionality and focus, creating a unique atmosphere for each space and night. To her, "House" is a feeling, an ambience, not just a BPM range. Her approach transforms club nights into collective, bodily, and spiritual experiences crafted by everyone involved. Ijó is also frequently sought after for her curatorial skills, recently curating stages at Dekmantel Festival (Connects Stage), Wilde Weide Festival, and producing podcasts for United Identities. While her live performances are highly anticipated, Ijó also shares her musical journey through numerous radio shows on NTS, The Lot Radio, and the Dekmantel Podcast series, allowing listeners to experience her distinctive style anytime. words by Jamila Woodley & Rosie CainRecently at public records, BASEMENT, Good Room · often with Palms Trax, Soul Summit Music, Honey Bun, none of them here that night
“DJ, producer, label owner of Open Space.”
their own biography
the whole biography
DJ, producer, label owner of Open Space. Based in Miami, Florida.Their RA profile lists Rhythm Section International and Open Space.Recently at Dead Letter No. 9, public records, Good Room · often with ROOMTRASH6, HELLCAZ, Doki Doki, none of them here that night
“As a member of NY trio Earth Beat along with Gee Dee and Latane Fundido, Andrew has been a resident at Brooklyn's Good Room since 2018.”
their own biography
the whole biography
As a member of NY trio Earth Beat along with Gee Dee and Latane Fundido, Andrew has been a resident at Brooklyn's Good Room since 2018. Andrew's deep passion for loud music has brought several noteworthy guests, including Tornado Wallace, Jamie Tiller, Maurice Fulton, Scott Zacharias, Jex Opolis, Ge-Ology, Mike Who, Heels and Souls, Lauren Hansom, John Gomez, and DJ Ray, amongst others. In addition to Good Room, you may have heard Andrew play loud music at Nightmoves in Brooklyn, Jolene in Miami, Sunday Sunday in Mexico City, Bar Part Time in San Francisco, and Making Time in Philadelphia. He has a broad palette for loud music, with a special penchant for loud house, loud italo, loud reggae, loud downtempo, and several other loud sounds. Whatever the genre, party, or lineup, fun is definitely on the menu with Extra Andrew behind the decks. Let's get loud baby!!Recently at Good Room, Gabriela · often with Gee Dee, Analog Soul, Earth Beat, none of them here that night
names these artists often play with — not that night
- Donis3 with Joe Claussell and 2 with Shy One
- Honey Bun2 with Shy One and 2 with Suze Ijó
- Timmy Regisford2 with Joe Claussell and 1 with Suze Ijó
- Danny Krivit11 with Joe Claussell
- Francois K8 with Joe Claussell
- Gee Dee5 with Extra Andrew
- Earth Beat4 with Extra Andrew
- Paul Nickerson3 with Joe Claussell
how this compares
- Median final count, Saturdays at Knockdown Center268
- Middle half finished between121 and 553
- Past Saturdays at this venue counted86
- Counted540 on Fri 7 Aug, 564 on Wed 12 Aug
The room
Knockdown Center — 251 events and 819 distinct artists since Aug 2023.
Also that night
- Norm Talley, Sav G / NAP, deep creep / Francis Harris & Talpublic records — also tagged deep house, with tech house too.
- The Ornate Project: Armen Miran (Open-Air Event)315 Meserole — also tagged deep house, with house too.
- The Rooftop - New York, NYPier 17 — also tagged deep house, with afro house too.
how these 3 are connected
- Norm Talley, Sav G / NAP, deep creep / Francis Harris & Tal — RA tags both listings deep house — and that one also tech house.
- The Ornate Project: Armen Miran (Open-Air Event) — RA tags both listings deep house — and that one also house.
- The Rooftop - New York, NY — RA tags both listings deep house — and that one also afro house.






