DURATIONS

William Basinski is a classically trained musician and composer who has been working in experimental media for over 40 years in NYC and Los Angeles. Employing obsolete technology and analogue tape loops, his haunting and melancholy soundscapes explore the temporal nature of life and resound with the reverberations of memory and the mystery of time.

Chantal Michelle is a composer and interdisciplinary artist whose work engages the spatial, tactile, and perceptual dimensions of sound. Her projects include site-responsive installations, hand-blown glass instruments, conceptual scores, and recorded works. Her latest album, All THINGS MIGHT SPILL (Shelter Press, 2026), stretches time into tense, long-held tones and clear melodic lines that resolve into suspended, dynamic soundscapes.

DURATIONS Festival is a week-long, multi-disciplinary exploration of sound and connection. Now in its fifth iteration, the festival’s programming is its most robust yet, with seven days of music, talks, audiovisual work taking place between Public Records, Pioneer Works, Roulette, and Whitney Museum of American Art.

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Public Records aims to provide a safer space. We reject all forms of discrimination, including racism, misogyny, transphobia, homophobia, sexism, and other aggressive behavior. Consent is paramount. Please exist with respect for yourself and those around you. Anyone found in violation of our rules or safer space policy will be removed from the venue.

To share feedback about an incident, please email hello@publicrecords.nyc or alert a member of our team.

Tickets may be available at the door based on capacity. A ticket does not guarantee entry; Public Records reserves the right to deny entry to guests that appear intoxicated or do not meet the dress code. All large bags and coats must be checked. Doors close one hour before end time.