Psychosis
Halloween Party Pt. 2 of 4 - Mike Servito, Sister System, Acid Mama, beewack
Dead Letter No. 963 Grand St, Brooklyn, NY 11249 · Map
Sat 24 Oct 2026 · 9pm → 4am Sun · 7 hours
21+ · Dead Letter No 9 ·
Press play
Who’s playing6 artists
In the order the promoter lists them.
Set times not published.
the pairs that have met
13 of the 15 pairings on this bill are first meetings.
- beewack and Love Language — 1 shared bill before Saturday, first on Sat 4 Jul 2026.
- Mike Servito and Acid Mama — 1 shared bill before Saturday, first on Sun 31 Dec 2023.
the fine print — 1 more line
- “Kitchen open late. Coat check available. 21+.”
Proceed with caution - this content may be disturbing to some individuals.
PSYCHOSIS continues its descent with Night Two of our four party series. Our minds are deteriorating, reality is breaking its shackles. The faces of the crowd distort, these rooms feel familiar but uncanny, like you’re trapped in a dream.
Dress as the obsession gnawing on the flesh of your brain, the fear you refuse to name, the version of yourself you keep locked away, or the demon you’re ready to face.
In CARGO, Acid Mama administers the first dose from 9PM–11PM, corrupting the senses with acid-soaked pressure. From 11PM–1:30AM, Sister System intensifies the spiral, driving the room further from reason and closer to total surrender. Then Mike Servito takes control from 1:30AM–3:30AM, delivering the final lethal dose as any remaining reality fades like a lost memory.
The disturbance spreads to The Foyer, where beewack holds the room from 9PM–12AM, twisting familiar sounds into something unstable but undeniable. At midnight, Bea Hardy takes over until 3AM, tightening her grip as the room grows hotter, stranger, and completely unhinged.
PSYCHOSIS is a reckoning. The twisted thoughts that live in the back of our minds come crawling out, the stages of grief are embodied in flesh, and together, we face our demons before they find us first.
Make it out as yourself, or as an entirely new creature – if your mind is still your own.
All ticket sales are final
the rest of the promoter’s listing — 1 more paragraph
Kitchen open late. Coat check available. 21+.
from the promoter’s listing on Resident Advisor
Who they are
“Some DJs burst upon the scene like a supernova, fading just as quickly.”
their own biography
the whole biography
Some DJs burst upon the scene like a supernova, fading just as quickly. Others take years, even decades, to make their way—but those are the ones who make the most impact, thanks to a lifetime of accumulated musical wisdom. Mike Servito is a prime example of the latter. His career is one that’s defined by a slow and steady rise to upper ranks of the deejaying realm—and along the way, he’s perfected a jacking style that equal parts house, acid and techno, a sound that pays homage to the past while being very much of-the-moment. A Detroit-area native, Servito got his early education by tuning into the Electrifying Mojo and the Wizard (Jeff Mill’s radio moniker). By the early ’90s, Servito was primed to try his hand at the deejaying arts, “I was just kind of cocky about it,” he says. “I knew I could do it.” And he was right—in the DJ hotbed of Detroit, internalizing knowledge gleamed from the likes of Mike Huckaby and Claude Young, he kept working at it until he established himself as a force to be reckoned with in the Motor City circuit, eventually becoming a member in good standing with the inner circle of Ghostly International. But Servito felt the need for a change from the sometimes insular environment of Detroit. By the late ’00s, he was living in NYC with no real game plan in place. As it turned out, he didn’t really need one—he soon fell in with the city’s premier techno party, The Bunker, becoming one of its mainstay residents. Around the same time, he was beginning to make his presence known on a global scale, packing dance floors with gigs around the States and around the world. But it was a hometown festival snub in 2014 that really got things going. Servito had played Movement once before, in 2011. “And between then and 2014,” he recalls, “I had been playing so many Bunker parties, playing so many great gigs and my profile was rising—so I was sure they would book me again.” The invite never came. Instead, he booked himself at every Movement after-party he could, one of which was the annual No Way Back, a legendary throw down hosted by The Bunker New York and Detroit’s Interdimensional Transmissions label. The set, a riotously sweaty bleeps-and-beats affair, was recorded for posterity; unexpectedly but deservedly, it garnered a nod as the year’s No 1 online Mix of the Year on Resident Advisor. That was the spark that set Servito’s career aflame, the push that took him to the top. Since then, he’s cemented his status as one of the most respected spinners around, regularly manning the decks at such hallowed halls as Berlin’s Panorama Bar, London’s XOYO and Tokyo’s Contact, not to mention the world’s best festivals—including, of course Movement. And to this day, his approach to deejaying is refreshingly simple: “I really don’t think about it,” he says, “When I’m playing, I just dive in, and I’m OK.” He’s far more than okay—he’s one of the best around.Techno on 7, Acid on 5, House on 5 and Acid House on 3. styles on their catalogued releasesReleased on The Bunker New York (2) and Interdimensional Transmissions (1); their RA profile also lists Firehouse and Honey Soundsystem. labels on their catalogued releases and on their RA profileRecently at Signal, H0L0, Green Room NYC · often with Shaun J. Wright, S4M23, JADALAREIGN, none of them here on Saturday
“Acid Mama is a vibrant Brooklyn party curated by DJs Marsweather and Dio Garcia.”
their own biography
Recently at Dead Letter No. 9, H0L0, Elsewhere · often with Aria Pash, Serrian, Willy Soul, none of them here on Saturday
“Sister System has forged a musical galaxy around her in a short span of time.”
their own biography
the whole biography
Sister System has forged a musical galaxy around her in a short span of time. Since entering the scene in 2018, the Miami-based DJ and event producer has helped reshape the city’s underground electronic landscape with her keen ear for selections and eye for curation. Sister System’s sound defies easy categorization. Like the best selectors, she juxtaposes deep cuts and familiar tracks in such a way that the cumulative effect becomes entirely her own. It’s dark, tough music for well-tuned ears: Long, hypnotic stretches of downtempo numbers might suddenly be punctured by a burst of breakbeats or funky 303s; techno hi-hats will find negative space to occupy among aquatic synth lines, dislocated drums, whispered vocal samples, and even the occasional electro. Her ability to navigate both nostalgic sounds and the outer limits of experimentation is what commands listeners’ attention. In addition to carving out her own name as a DJ, she’s spent the last few years organizing off-the-grid raves that have united Miami’s disparate electronic factions and embolden the city’s underground scene. She’s now playing alongside respected artists as a resident at Club Space, and having established Objects Don’t Dance is just one of many evolving projects she maintains to extend Miami’s exposure to a diversity of dance music, while illuminating the vibrant array of talent the city has to offer.Recently at BASEMENT, public records, Nowadays · often with Coffintexts, Ron Like Hell, Devoye, none of them here on Saturday
“beewack is a New York-based DJ and curator with a passion for creating dynamic, dance-driven experiences.”
their own biography
the whole biography
beewack is a New York-based DJ and curator with a passion for creating dynamic, dance-driven experiences. Initially cutting her teeth by booking talent at iconic NYC venues like Blue Note, Highline Ballroom, and Le Bain, Bridgette has since transitioned into the DJ booth, delivering dynamic sets that keep the dancer in mind. With a deep love for house music, alongside influences of calypso, disco, and R&B, beewack seamlessly blends genres to create a unique and captivating rhythm that inspires both movement and connection. beewack’s commitment to community joy through music has landed her regular appearances at Le Bain, Good Room, Public Records, Nowadays, Gabriela, and other booming clubs around the city.Recently at public records, Outer Heaven, Trans-Pecos · often with Planet B, Seedy J, Honey Bun, none of them here on Saturday
“Raised in a European household in New York and shaped by a decade in the UK, she’s built a sound that’s refined but playful — blending disco, balearic, synth-pop, house, and electro into dynamic, feel-good sets that move between nostalgia and discovery.”
their own biography
the whole biography
Raised in a European household in New York and shaped by a decade in the UK, she’s built a sound that’s refined but playful — blending disco, balearic, synth-pop, house, and electro into dynamic, feel-good sets that move between nostalgia and discovery. Her work spans live performance and sonic branding, shaping music identities for hospitality spaces and brands seeking culturally resonant environments. She has played for Chanel, Gucci, Nike, MoMA, Coach, and Aritzia, among others. Beyond private and brand events, Bea has a residency at Public Records with her party A-B Affair and performs across the city, including Lot Radio, Nightmoves, Good Room, and Silence Please.Recently at Dead Letter No. 9, Good Room, Million Goods · often with Orson.NYC, Gui Machado, Extra Meesh, none of them here on Saturday
“There is only one kind of love—love.”
their own biography
the whole biography
There is only one kind of love—love. But the different expressions of love are uncountable. On the last Saturdays of the month, Love Language shares all these manifestations with you. Over two hours, awaken to love with your hosts Carlotta and Scarlett.Recently at Bogart House, Moondog Hifi, Dead Letter No. 9 · often with Van Der Laan, Manguito, L3Ni, none of them here on Saturday
names these artists often play with — not on Saturday
- Lauren Flax8 with Mike Servito and 2 with Acid Mama
- Planet B7 with beewack and 1 with Bea Hardy
- Orson.NYC3 with beewack and 2 with Bea Hardy
- Justin Cudmore13 with Mike Servito
- Shaun J. Wright12 with Mike Servito
- JADALAREIGN11 with Mike Servito
- Nita Aviance10 with Mike Servito
- The Carry Nation10 with Mike Servito
how this compares
- Median final count, Saturdays at Dead Letter No. 961
- Middle half finished between31 and 102
- Past Saturdays at this venue counted110
- Counted so far36 on Thu 8 Oct, 60 on Mon 19 Oct
Counts keep rising until the night; this is where it stands today.
The room
Dead Letter No. 9 — 366 events and 816 distinct artists since Oct 2023.
Holds about 150.
Also that night
- CvnTea: A Spooky Soirée...for C*ntsBogart House — Nita Aviance and Mike Servito play together a lot.
- Honcho H0L0 TakeoverH0L0 — Carlos Souffront and Mike Servito play together a lot.
- Dustin Zahn / Kameliia / Ade Kassim / Hercules & Love Affair / Eli Escobar / AndiBASEMENT — Eli Escobar and beewack keep turning up on the same bills.
how these 3 are connected
- CvnTea: A Spooky Soirée...for C*nts — Nita Aviance and Mike Servito have shared 10 bills; Nita Aviance is on that bill and Mike Servito is on this one.
- Honcho H0L0 Takeover — Carlos Souffront and Mike Servito have shared 8 bills; Carlos Souffront is on that bill and Mike Servito is on this one.
- Dustin Zahn / Kameliia / Ade Kassim / Hercules & Love Affair / Eli Escobar / Andi — Eli Escobar and beewack have shared 3 bills; Eli Escobar is on that bill and beewack is on this one.