
333 Halloween
TBA - 333, New York City
Fri 30 Oct 2026 · 10pm → 8am Sat · 10 hours
Press play
Who’s playing3 artists
In the order the promoter lists them.
Set times not published.
Who they are
Recently at Apollo Studio · often with So-Fi, Ancut, Annyrock, none of them here on Friday
“Pablo Romero is a key figure in New York’s underground music scene, a Queens native whose influence extends far beyond the city’s borders.”
their own biography
the whole biography
Pablo Romero is a key figure in New York’s underground music scene, a Queens native whose influence extends far beyond the city’s borders. As the founder of Archivio Record Shop in Brooklyn, he has built a reputation for curating a sound that blends his Latin heritage with the raw, eclectic energy of NYC. Known for his refined yet gritty/raw approach to DJing, Pablo effortlessly merges shades of deep house, techno, and Latin rhythms, creating a seamless flow that captivates any room. Whether spinning vinyl at Archivio, playing extended sets at his own showcases, or sharing stages with global talents at Teksupport, Pablo’s presence is unmistakable. His sets are a reflection of his deep musical knowledge and his unwavering commitment to keeping the dancefloor alive, embodying both the sophistication and edge of the city that shaped him. Credits: - Baum Festival, Colombia - Bumbaye Festival, Colombia - The MET Museum, NYC - Time Warp NYC After Party - Time Warp NYC Official Festival - Music On NYC - Buenas Noches Pro: Cordoba, Argentina - MDL Beast Soundstorm Festival, Saudi ArabiaTheir RA profile lists Inmotion music, Intimate Project Music and Risque.Recently at Le Bain, Outer Heaven, Bossa Nova Civic Club · often with Daniel Dutts, mink, Jean-Paul, none of them here on Friday
“Second Contact is a New York City–based DJ and collaborator whose driving force behind the decks feels like seduction through control.”
their own biography
the whole biography
Second Contact is a New York City–based DJ and collaborator whose driving force behind the decks feels like seduction through control. His practice lives in the charged space between discipline and abandon, shaped by a shared dialogue and individual instinct. Moving fluidly between downtempo, dark wave, EBM, and progressive trance, his sets unfold in long, deliberate arcs that privilege tension, texture, and trust. Rather than overwhelm a room, Second Contact cultivates atmosphere. His selections linger, tease, and breathe, inviting dancers inward while leaving space for unpredictability. This same sensibility extends beyond the decks, ruled by a deep desire to cultivate community, draw inspiration from the unlikeliest of places, and build something from nothing through exchange rather than ego. His approach favors intimacy over spectacle and curiosity over dominance; his DJ sets result in a physical, quietly sinister, and visceral atmosphere designed not to command attention but to hold space and engage in play. Stepping away from any spectacle, Second Contact plays with the uninhibited, open-minded queerdos and freaks; an intimate tremble that demands total surrender from those who’d rather be lost in the secret than found in the light. Second Contact believes the most powerful moments on a dance floor come from anticipation. His approach is rooted in restraint, timing, and emotional intelligence, letting desire accumulate before release. His sets ask for patience and, in turn, reward surrender; slowly, but surely, creating spaces where dancers feel held, challenged, and quietly undone. Over the past few years, Second Contact has become a familiar presence in New York City’s most respected rooms, including Nowadays, Mansions, Nightmoves, Bossa Nova Civic Club, and Good Room. Internationally, his sound has carried to adventurous and discerning dance floors across Europe and beyond, including Sameheads, Salon des Amateurs, Post Bar, as well as scenes in Tbilisi, Georgia and Mexico City, where he operates in the high-stakes gap between discipline and abandon for the those who celebrate openness and risk and welcome the pursuit of creativity and expression instead of the easily digestible and familiar. As Honey Trap mainstay and resident, he shapes the cadence with a patient hand whether setting the tone at the opening doors or driving the final hours at close. His sound at Honey Trap leans into the series’ core–synth lust, hot tracks–bringing the dancefloor into a place of shared trust and communal rapture. Second Contact’s long-form sensibility extends naturally into radio with his guest mixes appearing on well-regarded The Lot Radio, Kiosk Radio, and Mutant Radio.Recently at feedbk, La Plaza Cultural, Signal · often with Amelia Holt, Miles Mercer, Simic, none of them here on Friday
names these artists often play with — not on Friday
- Elena Colombi4 with Second Contact and 1 with Matthias
- Kurilo3 with Second Contact and 1 with Matthias
- Amelia Holt28 with Second Contact
- Daniel Dutts19 with Pablo Romero
- mink8 with Pablo Romero
- Jean-Paul7 with Pablo Romero
- 98dots5 with Second Contact
- Ancut5 with Matthias
The room
TBA - 333 — 24 events and 98 distinct artists since Jun 2025.
Who’s putting it on
333.house — 7 events and 51 artists since Aug 2026.
Also that night
- Halloween Weekender: Apollonia, PARAMIDA, Mathew Jonson (LIVE) + many moreSignal — Matthias plays both.
- Level III Halloween: Bambounou, Dennis Free, Mai Iachetti, MESA, RHR, Rose KourtsGreen Room NYC — also tagged house and techno.
- Club Rawhide FRIDAY NIGHT 10.30.26Club Rawhide — also tagged house and techno.
how these 3 are connected
- Halloween Weekender: Apollonia, PARAMIDA, Mathew Jonson (LIVE) + many more — on both bills: Matthias.
- Level III Halloween: Bambounou, Dennis Free, Mai Iachetti, MESA, RHR, Rose Kourts — RA tags both listings house, techno.
- Club Rawhide FRIDAY NIGHT 10.30.26 — RA tags both listings house, techno.


