
Amanda Mussi
also plays Berlin — 17 nights
Amanda’s sets change people. They feel like they are flying, and love moves through their bodies in waves. She plays with time like an alchemist, stretching it, deconstructing it, rebuilding until the floor becomes somewhere else entirely. Particularly known for her closing sets and all-nighters, she understands how a night breathes, how to read the arc of hours and bring a crowd to exactly where they need to land. Shaped by the mechanical soul of Detroit and the fractured textures of UK sounds, her music translates into deep, driving, dubby and hypnotic techno, extending into sassy, rolling house. The way she assembles a set carries that same instinct as sampling culture, lifting, layering, recontextualising until something new and unrepeatable takes shape, but still keeping the unrelenting continuous groove as the lead of her ceremonial sounds.
What you hear is a language built from tribalistic percussion, layered vocals, and soundscapes that move between the earthly and the galactic, cinematic in texture, like transmissions arriving from just beyond the visible. She moves between ethereal stillness and raw kinetic force, between grounding and flight, holding space for both surrender and elevation.
The rest of it — two more paragraphs
Over the years she has run a record label, a booking agency, and her own party, building scenes, not just playing them. That history of community-making lives on in how she moves through the world: collaborating deeply with artists wherever she plays, never a passing presence, always part of the connective tissue. Today that same energy goes into mentoring emerging talent, bringing together technical rigour and a holistic, intuitive approach to the craft.
Berlin-based and South American at her roots, Mussi built her career across her home countries Brazil and Paraguay before planting herself at the heart of the global electronic music world. She has been performing on Berghain’s main floor for years, and has carried her practice further across São Paulo, Asunción, Amsterdam, and New York, continuing to tour widely across Europe and into Asia.
Their Resident Advisor profile, in full and unedited.
Records out on 24 Hours Records, PG TUNE, Massa Records, Unterwegs, Planet X, Vnión and export berlin. — their own list on Resident Advisor
The nights
2026
- Sat 24 JanBASEMENTtheir 4th night · WRECKEDnyc, basement ny
2025 — 3 nights
- Sat 11 Oct 2025TBA - Softee Transit AuthorityMizz Softee
- Fri 13 Jun 2025BASEMENTtheir 3rd night · basement ny
- Tue 7 Jan 2025Bossa Nova Civic Clubfirst time
2024 — 3 nights
- Tue 31 Dec 2024TBA - BrooklynMERGE
- Sat 9 Nov 2024BASEMENTtheir 2nd night · Pornceptual, basement ny
- Sat 27 Jan 2024BASEMENTfirst time · FIST, basement ny
Their rooms
One tick a night, on the one axis this page has — Aug 2023, where the listings start, to Jan 2027, the last night anybody has announced. The shaded end has not happened yet.
- BASEMENTJan 2024 – Jan 20264 nights
Once each: Bossa Nova Civic Club. Two of the 7 listings never named a room, and are not counted as one.
Who they play with
Counted from the bills themselves, over bills of twelve names or fewer. A pair's count includes a night that is announced and not yet played; where there is one, the row says when.
- Sister Zoan unnamed room ×1, BASEMENT ×1 · Oct 2025 – Jan 20262 nights
The nights, the rooms and the bills are the listings themselves. The biography, the labels and the photograph are Resident Advisor's. Nothing on this page was written for it.