Mathew Jonson

Jonson gradually began honing in on his own sound, both in his productions and his DJ sets, inspired by a deeper, weirder sound that had begun filtering into the Victoria's techno parties. His first record, in 2001, was the first release on Itiswhatitis (a label Mathew bought from its original owner 11 years later). Another followed in 2002, and in 2003. That year, he also made his first appearance on Perlon, 'Alpine Rocket' – a track he recorded alongside Luciano during his first trip to Europe. And then, suddenly, Jonson was everywhere: Sub Static, Arbutus, Kompakt, M_nus – and every track an anthem.

"I had all that music kind of saved up," says Jonson, "and then, just by chance, released it all at the same time. People criticized me for it, said that it wasn't a good idea. But it worked out for me. All the tracks did well. I wasn't saturating the market with bad music." He's right there.

In 2005, Jonson co-founded Wagon Repair, and it's been a blur since, a nonstop series of tours and recordings, solo and with his band mates. Crucially, he moved to Berlin. His studio here is jaw-dropping, frankly: a semi-circle full of gear, from old workhorses like the 808 and 909 and SH-101 to unique beasts like their Cwejman and Roland System 100m modular system. Tate's Rhodes piano anchors one corner of the horseshoe, and everything feeds into a massive desk where tracks are mixed and recorded in real-time. His two hands have come up with some remarkable material. Having perfected his brand of earthshaking epic with tracks like 'Marionette' and ‘Decompression’, Jonson has increasingly turned his efforts towards more personal, introspective music. He never left the clubs behind though; his 2010 album, Agents of Time, featured a number of tracks that are as hip-winding wily as anything he's produced yet, full-on tracks like 'Girls Got Rhythm' and 'Thieves in Digital Land'. Equally physical was his 2011 drop on Hawtin's M_nus, 'Learning To Fly', and the well-received 'Automaton' on Crosstown Rebels. His 2013 album, On Her Blurry Pictures, too; here Jonson took advantage of the long player format to stretch out and indulge darker moods and slower tempos, but the core of the record remained rooted in a dancefloor context.

In 2015, Mathew fulfilled his long-standing ambition of contributing to Fabric's esteemed mix series. Fabric84 is a recording of his set at the club's 15th birthday, during which he played a number of his classic tracks and unreleased edits. The energy of the occasion and the particular way Mathew performs his material blend perfectly, capturing a singular and very special set on CD.

As well as continuing to tour his in-demand solo live show, which is consistently ranked amongst Resident Advisor's top 20, Mathew has recently remixed Paul St. Hilaire + Rhauder, The Martinez Brothers, Seth Troxler, and VCMG (to add to his past work including Moby, Cybotron, The Chemical Brothers, and Nelly Furtado). He released an album with Units and Measurements in 2016, and another as his new alias Freedom Engine entitled “A Box Full Of Magic” in 2019. Eighteen years on from his debut release, 'New Identity', Mathew's sound and reputation as an artist have developed, as you would expect for someone so richly and widely talented.