MENSCH MEIER HAT ES NIE GEGEBEN
TBA - Secret Location, Berlin
This night happened — Sat 27 Sep 2025
Press play
Who was billed20 artists
In the order the promoter listed them.
- Anselmus
- next: Humboldthain Club, Sat 7 NovBamela Paywatch
- Crille & Tamalt
- next: Fitzroy, Fri 23 OctDj handbag
- Goldie
- Johanna Elias
- Julio Paradise
- next: Kater, Fri 30 Octkarete bu
- Killa
- PONY
- Por.No
- next: Sat 24 OctRafush
- Suse
- YASO
- next: Sat 14 NovCarls8erg
- Die Blauen Stunden
- Goldy.MP3
- Krachtigall Ultras
- next: Jonny Knüppel, Fri 23 OctMuende
- Psychosen aus Plastik
Set times were not published.
Most of these pairings were meeting for the first time that night.
the pairs that have met
167 of the 190 pairings on this bill were first meetings.
- Die Blauen Stunden and Psychosen aus Plastik — 2 shared bills before that night, first on Sat 27 Sep 2025.
- Dj handbag and Rafush — 2 shared bills before that night, first on Sat 27 Sep 2025.
- Bamela Paywatch and Die Blauen Stunden — 1 shared bill before that night, first on Sat 27 Sep 2025.
- Bamela Paywatch and Psychosen aus Plastik — 1 shared bill before that night, first on Sat 27 Sep 2025.
- Bamela Paywatch and Crille & Tamalt — 1 shared bill before that night, first on Sat 27 Sep 2025.
- Crille & Tamalt and Die Blauen Stunden — 1 shared bill before that night, first on Sat 27 Sep 2025.
- Crille & Tamalt and Psychosen aus Plastik — 1 shared bill before that night, first on Sat 27 Sep 2025.
- Anselmus and Die Blauen Stunden — 1 shared bill before that night, first on Sat 27 Sep 2025.
- Anselmus and Psychosen aus Plastik — 1 shared bill before that night, first on Sat 27 Sep 2025.
- Anselmus and Bamela Paywatch — 1 shared bill before that night, first on Sat 27 Sep 2025.
- Anselmus and Crille & Tamalt — 1 shared bill before that night, first on Sat 27 Sep 2025.
- Rafush and YASO — 1 shared bill before that night, first on Sat 27 Sep 2025.
- Julio Paradise and Rafush — 1 shared bill before that night, first on Sat 27 Sep 2025.
- Julio Paradise and YASO — 1 shared bill before that night, first on Sat 27 Sep 2025.
- Julio Paradise and karete bu — 1 shared bill before that night, first on Sat 27 Sep 2025.
- karete bu and Rafush — 1 shared bill before that night, first on Sat 27 Sep 2025.
- karete bu and YASO — 1 shared bill before that night, first on Sat 27 Sep 2025.
- Anselmus and Muende — 1 shared bill before that night, first on Sat 27 Sep 2025.
- Crille & Tamalt and Rafush — 1 shared bill before that night, first on Sat 27 Sep 2025.
- Crille & Tamalt and Dj handbag — 1 shared bill before that night, first on Sat 27 Sep 2025.
- Bamela Paywatch and YASO — 1 shared bill before that night, first on Sat 27 Sep 2025.
- Bamela Paywatch and PONY — 1 shared bill before that night, first on Thu 21 Aug 2025.
- Julio Paradise and Suse — 1 shared bill before that night, first on Sat 2 Aug 2025.
Who they are
“Berlin since 1993. michel@herzundleber.berlin”
their own biography
Their RA profile lists KRUG Records.often with Nissa Carrington, Komozebi, SACID, none of them here that night
Last at Kater in Sep · often with Lenny Fuck, Giorgio Inkasso, Makrele, none of them here that night
“The Berlin-based duo has been rooted in the local scene for years, especially through it’s work and residencies in collectives like the infamous Mensch Meier Club, but it’s also known for playing at well-known festivals such as Fusion, Nation of Gondwana or Distortion.”
their own biography
the whole biography
The Berlin-based duo has been rooted in the local scene for years, especially through it’s work and residencies in collectives like the infamous Mensch Meier Club, but it’s also known for playing at well-known festivals such as Fusion, Nation of Gondwana or Distortion. As well as digging and curating sets, they’ve been constantly publishing some of their own productions - on labels like Midnight Operators and Electric Shapes.Recently at Renate, Kater · often with Triqi, Amy Dabbs, Vio PRG, none of them here that night
“☆ DJ Handbag, a Berlin-based booker, curator, queer bouncer, and fixture of Berlin’s nightlife, is finally stepping into the spotlight as DJ Handbag.”
their own biography
the whole biography
☆ DJ Handbag, a Berlin-based booker, curator, queer bouncer, and fixture of Berlin’s nightlife, is finally stepping into the spotlight as DJ Handbag. Expect queer, trans femme-curated sets and nights filled with joy. As part of @ooze.collective , she’s bringing you on a journey with diva house, handbag, hardbag, hard house, UK Garage and groovy vibes from around the world. With love.Recently at Marmorbar, OST, KitKatClub · often with ADAM MUNNINGS, Posture, DJ KILLING, none of them here that night
“<u>Goldie - Autobiography</u> Some people might call what I do drum 'n' bass.”
their own biography
the whole biography
<u>Goldie - Autobiography</u> Some people might call what I do drum 'n' bass. But I'm not going to narrow it down to what the music industry thinks is commercially viable. I'm not really into narrow thinking. Making this music is like poker. You begin with five cards. You don't play poker with two cards. That's just the rule of the game. Once you learn how to play you can bend the rules. I've been in this game for as long as I can remember, seeking out bits of punk rock, pop and reggae when I was still a kid in Walsall. When slap bass days arrived in the mid eighties I started to get into Loose Ends, Change and Maze travelling for funk all-dayers. I even gave Rastafarianism a shot earning myself the nickname Goldielocks, but then the hip-hop scene blew up and you can't spin on your head if you've got locks. So I said see you later to that! Hip hop allowed me to express myself artistically for the first time. Doing graffiti art made me learn how to make something out of nothing, and it got me involved in the music scene. I spent time in New York exhibiting my work and appeared in Africa Bambatta's feature film 'Bombing' as one of Britain's top graffers. That rocked. In '86 I moved out to Miami and started a business selling engraved gold teeth. By 1990 I was on the move again, to London, where something very special was about to kick off... The club was Rage at Heaven. Everyone was just going for it. The adrenaline was pumping around the place. I heard DJs playing a weird hybrid sound, there was still the late rave stuff but here was a new sound, a mad fusion of the old and new. I'd always been the sort of kid who wanted to belong and felt like I'd found a home. In '92 I produced my first track as Ajax Project while I was doing some design and A&R work for 4Heros's Reinforced label. My next tunes Killermuffin and Menance were put out under my early moniker Rufige Kru1 on the Metalheadz label. But at first I was just this deranged kid at Rage with gold teeth shining, this nutter talking a million miles an hour. I remember clutching the cage, watching Fabio or Grooverider take the record I'd made out of the box and put it on the deck and thinking "Fuck, fuck"! By late '92 a darker sound was taking over. By '93, recording as Metalheadz, I had released my darkcore anthem Terminator, lifting the buzz saw synth riff from Joey Beltram's Mentasm alongside the mutating breakbeats that began to characterise darkcore. It was just like rebelling with the music. The darkness was Britain's new urban blues. Dark to me was just a representation of the way people were feeling at the time, there was a recession and the country was in decline. But forward ever backward never, I was in the studio again creating something fresh. My '93 release Angel was one of the first tracks to push what the industry referred to as drum 'n' bass in a more musical direction, with Urban Cookie Collective's Diane Charlemagne providing jazzy vocals. Rage shut down this year with AWOL quickly stepping in to fill the void that it left behind. Meanwhile I was working on my debut album Timeless. For me Timeless was the ultimate statement of drum 'n' bass's technical sophistication and manipulation. Back then I was the first of the drum 'n' bass crew to sign to a major label; London records. To me this made no odds, I didn't care if music was underground or overground; I knew where it came from! Timeless shot straight into the album charts at number seven, which was a first for a drum 'n' bass record. But I don't even know if I'd call it a drum 'n' bass record. I'd prefer to call it inner city ghetto music, because I'm not going to come up with stuff just to match people's perceptions of drum 'n' bass. Inner City Life, one of the albums vocal tracks, became a signature tune at LTJ Bukem's club Speed in 1994. But my style was now far removed from the bark of the Jungle music that I was putting out in my Rage days. By '95 the Metalheadz label was well up and running. Then came the Metalheadz Sunday Sessions at the Blue Note. The atmosphere was just unreal and drum 'n' bass was the music of the moment. In '96 and '97 I collected awards for Timeless, my DJing, the Metalheadz label and my compilation album Platinum Breakz. It was fair to say I'd arrived, but I was by no means burnt out and I was looking for new ways to challenge myself as an artist. In my second album Saturnz Returns the tones and tempos were more varied, the experiments bolder and the tracks definitely more personal. No one could sing about my own misfortunes more than myself. I just wanted to be sincere in my work. Sometimes I think back to when I was a kid staring out of the window going "fucking hell I'm really depressed, I really want to make it". To go from that to now is to go from real extremes and it's quite unbelievable to me. In '99 I played a bad guy in James Bond film 'The World is Not Enough' and also in Guy Ritchie's 'Snatch'. In 2001 I had a part in Eastenders as a Gangster called Angel. It's surreal. But now my focus is getting back on the music while keeping the acting thing going strong. After a two year break the Metalheadz Sunday Sessions has a new home at The Limelight, Shaftsbury Avenue. I'm currently in the studio with Jamie Matrix and J Majik recording my third album Sonic Terrorism. Meanwhile I've got a release out under my old moniker Rufige Kru called Stormtrooper VIP / The Beach on Metalheadz. The stuff I'm putting out as Rufige Kru is more dancefloor than my new album which is more like my older experimental stuff. The new Metalheadz album Platinum Breakz 3 has also just been released. So, Metalheadz has been away for a while, but it isn't dead. We don't need to put out releases every five seconds to prove ourselves. The label is still one of the most respected on the scene. After a decade of doing music it's still all good for me.Their RA profile lists TrustTheDJ, Moonshine, INCredible, Metalheadz and 3 more.often with Adred, Diverge, Anónima, none of them here that night
often with Kallaloo, Madmotormiquel, FENU, none of them here that night
Last at ://about blank in Aug · often with a:tok, Joel Mull, bebibelli, none of them here that night
“Character unlocked: karete bu.”
their own biography
the whole biography
Character unlocked: karete bu. Rooted in House groovers, UK-leaning rhythms, and a weakness for records with a bit of dusty history. Her sets are guided by hipswings that occasionally take a left turn when the room is ready for it, sharp timing, and a tendency to let things simmer until they don’t. As a former resident at Leipzig’s Institut fuer Zukunft, she fostered young talent in the DJ rehearsal room and developed a sound that isn’t afraid of spectacle when the moment calls for it. Today, based in Berlin, she works for the beloved festival Nachti by Nachtdigital, helping to shape it from the inside out and keeping the backstage just as lively as the dancefloor.Last at Renate in Aug · often with André Dancekowski, Franca, Immy, none of them here that night
often with Carmen 16, DDob, EMBEE3, none of them here that night
Last at ://about blank in Aug · often with Hanna Baertig, Lenny Fuck, Bisi, none of them here that night
Recently at Sameheads, OHM, Blue Velvet · often with Dj Goodboy, Catu Diosis, Kontronatura, none of them here that night
Last at ://about blank in Aug
“From main stages to underground, Berlin's YASO delivers electrifying sets that leave a long- lasting impression.”
their own biography
the whole biography
From main stages to underground, Berlin's YASO delivers electrifying sets that leave a long- lasting impression. True community favourite, YASO creates intoxicating soundscapes that blend UK basslines, baile funk and club beats, seamlessly blending R&B and rap samples with energetic rhythms. As a queer DJ with Kurdish roots, YASO uniquely prioritizes community and liberation, creating moments of genuine connection. Inspired by icons such as Halfqueen and UNiiQU3, YASO's bass-heavy compositions have created unforgettable dancefloors at festivals such as Garbicz, About You Pangea, Fusion Festival and Nation of Gondwana, as well as in iconic Berlin clubs such as OHM and Mensch Meier. For YASO, DJing is about breaking boundaries and weaving loose threads together. YASO doesn't just stay on the ground, she invites everyone to take o` together.often with LUW, bobbyynay, livwutang, none of them here that night
often with Pavelo Promillo, 2D1G, Chriss-E, none of them here that night
Last at Kater in Aug · often with EXTRAEXTRAEXTRA, ACID BOGEN, HOPPER, none of them here that night
often with INGWA, Maï, Sexverbot, none of them here that night
often with Baerbel, Lilmieux, horvath, none of them here that night
often with 10 Mark DJ Team, AGILY, Pony, none of them here that night
names these artists often play with — not that night
- 10 Mark DJ Team2 with Crille & Tamalt, 2 with Psychosen aus Plastik, 1 with Anselmus and 1 with Die Blauen Stunden
- BERKAN2 with Crille & Tamalt, 1 with Anselmus and 1 with Psychosen aus Plastik
- Lenny Fuck5 with Bamela Paywatch and 2 with PONY
- ACID BOGEN3 with Die Blauen Stunden and 3 with karete bu
- HOPPER3 with Die Blauen Stunden and 3 with karete bu
- Immy4 with karete bu and 2 with Crille & Tamalt
- DJ KILLING4 with Dj handbag and 1 with Goldy.MP3
- Hanna Baertig3 with Bamela Paywatch and 2 with PONY
34 said they were going.
The room
TBA - Secret Location — 123 events and 612 distinct artists since Aug 2025.
Most-tagged here: Techno (10), House (5) and Industrial (3). genre tags on this room’s listings
Who put it on
MenschMeier — 1 event and 20 artists since Sep 2025.